LEADER 04122nam 22008054a 450 001 9910811366403321 005 20200520144314.0 010 $a0-511-10142-2 010 $a1-107-13054-9 010 $a1-280-43317-5 010 $a0-511-17759-3 010 $a0-511-04150-0 010 $a0-511-14800-3 010 $a0-511-32578-9 010 $a0-511-48189-6 010 $a0-511-04774-6 024 7 $a2027/heb07636 035 $a(CKB)1000000000001317 035 $a(EBL)202377 035 $a(OCoLC)56317629 035 $a(SSID)ssj0000120075 035 $a(PQKBManifestationID)11129668 035 $a(PQKBTitleCode)TC0000120075 035 $a(PQKBWorkID)10074297 035 $a(PQKB)11601396 035 $a(UkCbUP)CR9780511481895 035 $a(Au-PeEL)EBL202377 035 $a(CaPaEBR)ebr10023555 035 $a(CaONFJC)MIL43317 035 $a(MiAaPQ)EBC202377 035 $a(dli)HEB07636 035 $a(MiU)KOHA0000000000000000002802 035 $a(EXLCZ)991000000000001317 100 $a20010504d2002 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe characteristic symphony in the age of Haydn and Beethoven /$fRichard Will 205 $a1st ed. 210 $aCambridge ;$aNew York $cCambridge University Press$d2002 215 $a1 online resource (xi, 329 pages) $cdigital, PDF file(s) 225 1 $aNew perspectives in music history and criticism 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-05717-5 311 $a0-521-80201-6 320 $aIncludes bibliographical references (p. 304-318) and index. 327 $tParadise lost: Dittersdorf's Four ages of the world and the crisis of Austrian enlightened despotism --$tPreaching without words: reform Catholicism versus divine mystery in Haydn's Seven last words --$tBoundaries of the art: characteristic music in contemporary criticism and aesthetics --$tParadise regained: time, morality, and humanity in Beethoven's Pastoral Symphony --$tMaking memories: symphonies of war, death, and celebration --$tAppendixes: 1. Thematic index of characteristic symphonies --$tPastoral symphonies and movements --$tSymphonies and movements by subject. 330 $aAssociated through descriptive texts with literature, politics, religion, and other subjects, 'characteristic' symphonies offer an opportunity to study instrumental music as it engages important social and political debates of the eighteenth and early nineteenth centuries. This first full-length study of the genre illuminates the relationship between symphonies and their aesthetic and social contexts by focussing on the musical representation of feeling, human physical movement, and the passage of time. The works discussed include Beethoven's Pastoral and Eroica Symphonies, Haydn's Seven Last Words of our Savior on the Cross, Carl Ditters von Dittersdorf's symphonies on Ovid's Metamorphoses, and orchestral battle reenactments of the Revolutionary and Napoleonic eras. A separate chapter details the aesthetic context within which characteristic symphonies were conceived, as well as their subsequent reception, and a series of appendixes summarises bibliographic information for over 225 relevant examples. 410 0$aNew perspectives in music history and criticism. 606 $aSymphony$y18th century 606 $aSymphony$y19th century 606 $aMusic$y18th century$xPhilosophy and aesthetics 606 $aMusic$y19th century$xPhilosophy and aesthetics 606 $aProgram music 615 0$aSymphony 615 0$aSymphony 615 0$aMusic$xPhilosophy and aesthetics. 615 0$aMusic$xPhilosophy and aesthetics. 615 0$aProgram music. 676 $a784.2/184 700 $aWill$b Richard James$0845380 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811366403321 996 $aCharacteristic symphony in the age of Haydn and Beethoven$91886696 997 $aUNINA