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100   $a20180706d2013      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aCinema as weather $estylistic screens and atmospheric change /$fKristi McKim
210  1$aNew York :$cRoutledge,$d2013.
215   $a1 online resource (231 p.)
225 1 $aRoutledge advances in film studies ;$v22
300   $aDescription based upon print version of record.
311   $a1-138-92218-8 
311   $a0-415-89412-3 
320   $aIncludes bibliographical references and index.
327   $aIntroduction -- Revealing skies and screens: the confluence of weather and cinema -- The cinematic history of weather, and the history of cinematic weather -- Interiority and exteriority: cinematic weather as plot and effect -- Cinematic rain -- Cinematic snow -- Cinematic sunlight and seasons -- Conclusion.
330   $aHow do cinematic portrayals of the weather reflect and affect our experience of the world? While weatherly predictability and surprise can impact our daily experience, the history of cinema attests to the stylistic and narrative significance of snow, rain, wind, sunshine, clouds, and skies. Through analysis of films ranging from The Wizard of Oz to The Umbrellas of Cherbourg, from Citizen Kane to In the Mood for Love, Kristi McKim calls our attention to the ways that we read our atmospheres both within and beyond the movies.Building upon meteorolog
410  0$aRoutledge advances in film studies ;$v22.
606   $aWeather in motion pictures
606   $aNature in motion pictures
615  0$aWeather in motion pictures.
615  0$aNature in motion pictures.
676   $a791.43/66
700   $aMcKim$b Kristi$f1977-,$01622849
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910811357803321
996   $aCinema as weather$93956929
997   $aUNINA