LEADER 02314oam 2200481 450 001 9910811353103321 005 20231019221020.0 010 $a90-04-33160-3 024 7 $a10.1163/9789004331600 035 $a(CKB)4920000000126457 035 $z(OCoLC)1112558531 035 $a(nllekb)BRILL9789004331600 035 $a(MiAaPQ)EBC6355292 035 $a(EXLCZ)994920000000126457 100 $a20210220d2020 uy 0 101 0 $aeng 135 $aurun####uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $2rdacarrier 200 10$aLandscape, tradition and power in medieval Iceland $eDalir and the Eyjafjo?ršur region c. 870-c.1265 /$fChris Callow 210 1$aLeiden ;$aBoston :$cBrill,$d[2020] 210 4$d©2020 215 $a1 online resource 225 1 $aThe Northern World 311 0 $a90-04-27887-7 330 $aChris Callow?s Landscape, Tradition and Power critically examines the evidence for socio-political developments in medieval Iceland during the so-called Commonwealth period. The book compares regions in the west and north-east of Iceland because these regions had differing human and physical geographies, and contrasting levels of surviving written evidence. Callow sets out the likely economies and institutional frameworks in which political action took place. He then examines different forms of evidence ? the Contemporary sagas, Landna?mabo?k (The Book of Settlements), and Sagas of Icelanders ? considering how each describes different periods of the Commonwealth present political power. Among its conclusions the book emphasises stasis over change and the need to appreciate the nuances and purposes of Iceland?s historicising sagas. 410 0$aNorthern world;$v80. 606 $aHuman geography$xPolitical aspects$zIceland 606 $aHuman settlements 607 $aIceland$xHistory$yTo 1262$xSources 607 $aIceland$xHistory$yTo 1262 615 0$aHuman geography$xPolitical aspects 615 0$aHuman settlements. 676 $a949.1201 700 $aCallow$b Chris$f1971-$01622820 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811353103321 996 $aLandscape, tradition and power in medieval Iceland$93956885 997 $aUNINA LEADER 01223nas 2200457- 450 001 996200353803316 005 20230522010532.0 035 $a(DE-599)ZDB2808093-2 035 $a(OCoLC)903481884 035 $a(CKB)4200000000000017 035 $a(CONSER)--2015243396 035 $a(EXLCZ)994200000000000017 100 $a20150216a20149999 --- - 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAdvanced science 210 1$aWeinheim :$cWILEY-VCH,$d[2014]- 215 $a1 online resource 300 $aRefereed/Peer-reviewed 311 $a2198-3844 531 $aADV SCI (WEINH) 531 10$aAdv Sci (Weinh) 606 $aScience$vPeriodicals 606 $aScience$2fast$3(OCoLC)fst01108176 606 $aBiomedical Research 608 $aFulltext. 608 $aInternet Resources. 608 $aPeriodicals. 608 $aPeriodicals.$2fast 608 $aPeriodical. 610 $aSciences - General 615 0$aScience 615 7$aScience. 615 12$aBiomedical Research. 906 $aJOURNAL 912 $a996200353803316 996 $aAdvanced science$91947288 997 $aUNISA LEADER 03603nam 2200817 a 450 001 9910961062803321 005 20240516082114.0 010 $a9786613278364 010 $a9781283278362 010 $a1283278367 010 $a9780520950061 010 $a0520950062 024 7 $a10.1525/9780520950061 035 $a(CKB)2670000000355373 035 $a(EBL)730035 035 $a(OCoLC)739051494 035 $a(SSID)ssj0000524314 035 $a(PQKBManifestationID)11360351 035 $a(PQKBTitleCode)TC0000524314 035 $a(PQKBWorkID)10545907 035 $a(PQKB)10210987 035 $a(StDuBDS)EDZ0000084615 035 $a(MiAaPQ)EBC730035 035 $a(OCoLC)868222909 035 $a(MdBmJHUP)muse31050 035 $a(DE-B1597)519822 035 $a(OCoLC)747428059 035 $a(DE-B1597)9780520950061 035 $a(Au-PeEL)EBL730035 035 $a(CaPaEBR)ebr10482122 035 $a(CaONFJC)MIL327836 035 $a(dli)HEB33890 035 $a(MiU) MIU01100000000000000001092 035 $a(Perlego)552796 035 $a(MiU)MIU01100000000000000001092 035 $a(EXLCZ)992670000000355373 100 $a20110202d2011 uy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusic makes me $eFred Astaire and jazz /$fTodd Decker 205 $a1st ed. 210 $aBerkeley $cUniversity of California Press$d2011 215 $a1 online resource (391 p.) 225 0 $aRoth Family Foundation music in America imprint 300 $aDescription based upon print version of record. 311 08$a9780520268883 311 08$a0520268881 311 08$a9780520268906 311 08$a0520268903 320 $aIncludes bibliographical references and index. 327 $apt. 1. Astaire among others: "There's a difference and Astaire is it" ; "I am a creator" -- pt. 2. Astaire at the studios: "I play with the very best bands" ; "Tell them to let it swing" ; "Fixing up" tunes -- pt. 3. Astaire in jazz and popular music: "Keep time with the time and with the times" ; "Jazz means the blues" ; "Anything that will send me" ; "You play and I'll dance." 330 $aFred Astaire: one of the great jazz artists of the twentieth century? Astaire is best known for his brilliant dancing in the movie musicals of the 1930's, but in Music Makes Me, Todd Decker argues that Astaire's work as a dancer and choreographer -particularly in the realm of tap dancing-made a significant contribution to the art of jazz. Decker examines the full range of Astaire's work in filmed and recorded media, from a 1926 recording with George Gershwin to his 1970 blues stylings on television, and analyzes Astaire's creative relationships with the greats, including George and Ira Gershwin, Irving Berlin, Jerome Kern, and Johnny Mercer. He also highlights Astaire's collaborations with African American musicians and his work with lesser known professionals-arrangers, musicians, dance directors, and performers. 517 3 $aFred Astaire and jazz 606 $aJazz musicians$zUnited States$vBiography 606 $aDancers$zUnited States$vBiography 606 $aMotion picture actors and actresses$zUnited States$vBiography 615 0$aJazz musicians 615 0$aDancers 615 0$aMotion picture actors and actresses 676 $a781.65092 700 $aDecker$b Todd R$01087543 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910961062803321 996 $aMusic makes me$94431791 997 $aUNINA