LEADER 03733nam 22007094a 450 001 9910811328003321 005 20200520144314.0 010 $a1-107-11665-1 010 $a1-280-42046-4 010 $a0-511-17725-9 010 $a0-511-01633-6 010 $a0-511-15821-1 010 $a0-511-33001-4 010 $a0-511-48182-9 010 $a0-511-05195-6 035 $a(CKB)1000000000002314 035 $a(EBL)201930 035 $a(OCoLC)56191443 035 $a(SSID)ssj0000142348 035 $a(PQKBManifestationID)11158155 035 $a(PQKBTitleCode)TC0000142348 035 $a(PQKBWorkID)10097143 035 $a(PQKB)11595275 035 $a(UkCbUP)CR9780511481826 035 $a(MiAaPQ)EBC201930 035 $a(Au-PeEL)EBL201930 035 $a(CaPaEBR)ebr10021346 035 $a(CaONFJC)MIL42046 035 $a(EXLCZ)991000000000002314 100 $a20000804d2001 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEarly keyboard instruments $ea practical guide /$fDavid Rowland 205 $a1st ed. 210 $aCambridge ;$aNew York $cCambridge University Press$d2001 215 $a1 online resource (xi, 154 pages) $cdigital, PDF file(s) 225 1 $aCambridge handbooks to the historical performance of music 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-64385-6 311 $a0-521-64366-X 320 $aIncludes bibliographical references (p. 143-147) and index. 327 $g1.$tStylistic awareness and keyboard music --$g2.$tRepertory, performance and notation.$tChoice and sources of repertory.$tRepertories, performance traditions and keyboard tutors.$tEditions and facsimiles.$tAspects of notation --$g3.$tThe instruments.$tHarpsichords.$tVirginals and spinets.$tClavichords.$tPianos.$tTemperaments.$tPurchase, care and tuning of reproduction instruments --$g4.$tUse of instruments and technique.$tWhich instrument?$tHarpsichord registration.$tPiano pedalling.$tHand position and finger technique.$tFingering and keyboard touch.$tSome clavichord techniques --$g5.$tNon-notated and notated issues.$tImprovisation and preluding.$tCadenzas, fermatas and lead-ins.$tEmbellishment.$tTempo fluctuation and tempo rubato.$tSlurs, dots and wedges. 330 $aEarly Keyboard Instruments covers a wide range of performance issues on keyboard instruments relevant to the music from c.1700-c.1900. It includes descriptions of the harpsichords, clavichords, pianos and other stringed-keyboard instruments used by performers of the period as well as aspects of technique such as harpsichord registration, piano pedalling and keyboard fingering. Aspects of the notation of keyboard music are discussed, as is articulation, embellishment, tempo flexibility and rubato. A substantial chapter is devoted to case studies, illustrating how the aspects of performance discussed in the rest of the book are worked out in practice, whether playing on period instruments or on the modern piano. 410 0$aCambridge handbooks to the historical performance of music. 606 $aKeyboard instruments 606 $aKeyboard instrument music$xHistory and criticism 606 $aPerformance practice (Music) 615 0$aKeyboard instruments. 615 0$aKeyboard instrument music$xHistory and criticism. 615 0$aPerformance practice (Music) 676 $a786/.19 700 $aRowland$b David$cDr.$0946879 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811328003321 996 $aEarly keyboard instruments$94019066 997 $aUNINA