LEADER 02256nam 2200457 450 001 9910811313403321 005 20230320115426.0 010 $a0-252-04370-7 035 $a(CKB)5590000000443333 035 $a(OCoLC)1193558964 035 $a(MdBmJHUP)muse96246 035 $a(MiAaPQ)EBC6531419 035 $a(Au-PeEL)EBL6531419 035 $a(OCoLC)1244627319 035 $a(EXLCZ)995590000000443333 100 $a20220705d2021 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aVisual alterity $eseeing difference in cinema /$fRandall Halle 210 1$aUrbana, Illinois :$cUniversity of Illinois Press,$d[2021] 210 4$dİ2021 215 $a1 online resource (1 volume) 311 $a0-252-05259-5 320 $aIncludes bibliographical references and index. 330 $a"Using cinema to explore the visual aspects of alterity, Randall Halle analyzes how we become cognizant of each other and how we perceive and judge another person in a visual field. Halle draws on insights from philosophy and recent developments in cognitive and neuroscience to argue that there is no pure "natural" sight. We always see in a particular way, from a particular vantage point, and through a specific apparatus, and Halle shows how human beings have used cinema to experiment with the apparatus of seeing for over a century. Visual alterity goes beyond seeing difference to being conscious of how one sees difference. Investigating the process allows us to move from mere perception to apperception, or conscious perception. Innovative and insightful, Visual Alterity merges film theory with philosophy and cutting-edge science to propose new ways of perceiving and knowing"--$cProvided by publisher. 606 $aVisual perception in motion pictures 606 $aMotion pictures$xPhilosophy 615 0$aVisual perception in motion pictures. 615 0$aMotion pictures$xPhilosophy. 676 $a791.4301 700 $aHalle$b Randall$01615793 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811313403321 996 $aVisual alterity$94028332 997 $aUNINA