LEADER 04131oam 2200529I 450 001 9910811303803321 005 20230817185329.0 010 $a90-04-36412-9 010 $a90-04-36411-0 024 7 $a10.1163/9789004364127 035 $a(CKB)4910000000122099 035 $a(MiAaPQ)EBC5634157 035 $a(OCoLC)1048941598 035 $a(nllekb)BRILL9789004364127 035 $a(EXLCZ)994910000000122099 100 $a20181126d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBeat Literature in a Divided Europe /$fedited by Harri Veivo, Petra James, Dorota Walczak-Delanois 210 1$aLeiden,$aBoston :$cBrill | Rodopi,$d2019. 215 $a1 online resource (326 pages) 225 0 $aAvant-Garde Critical Studies ;$vv. 35 320 $aIncludes bibliographical references and index. 327 $tFront Matter --$tCopyright Page --$tIntroduction /$rHarri Veivo , Petra James and Dorota Walczak-Delanois --$tLiterature in a State of Crisis ? Beat Poetry, the Modernist Establishment and the Avant-Garde in Iceland /$rBenedikt Hjartarson --$tIn Kainuu as in Colorado ? Receptions and Appropriations of Beat Literature in Finland in the 1960s /$rHarri Veivo --$tListening to the ?Feverish Beat?: between Alienation and Creative Resistance ? the Czech Reception of the Beats /$rPetra James --$tHowl on the Road ? Traces of the Beat Movement in Estonian Literature /$rTiit Hennoste --$tThe Transfer and Appropriations of the Beat Generation in Greece /$rMaria Nikolopoulou --$tFrom Pencil Blue to Carnation Red: the Long 1960s and Beat Reception in Portugal /$rNuno Miguel Neves --$tLook at the Road! The Polish Way of the Big Beat /$rDorota Walczak-Delanois --$tThe Beat Generation in Spain: Changes in the Underground Culture /$rSantiago Rodríguez Guerrero-Strachan --$tThe Reception of Beat Literature in Hungary /$rJózsef Havasréti --$tGinsberg, Where Are You? ? the Reception of Beat Literature in Austria /$rThomas Antonic --$tReading Beat and Being Beat in Oslo ? the Reception and Inspiration of Beat Culture in Post-war Norway /$rFrida Forsgren --$tUnexploded Bombshells: Beat (Non-)Subversion in the Francophone and Flemish Crucibles /$rFranca Bellarsi and Gregory Watson --$tBack Matter --$tIndex. 330 $aBeat Literature in Europe offers twelve in-depth analyses of how European authors and intellectuals on both sides of the Iron Curtain read, translated and appropriated American Beat literature. The chapters combine textual analysis with discussions on the role Beat had in popular music, art, and different subcultures. The book participates in the transnational turn that has gained in importance during the past years in literary studies, looking at transatlantic connections through the eyes of European authors, artists and intellectuals, and showing how Beat became a cluster of texts, images, and discussions with global scope. At the same time, it provides vivid examples of how national literary fields in Europe evolved during the cold war era. Contributors are: Thomas Antonic, Franca Bellarsi, Frida Forsgren, Santiago Rodriguez Guerrero-Strachan, József Havasréti, Tiit Hennoste, Benedikt Hjartarson, Petra James, Nuno Neves, Maria Nikopoulou, Harri Veivo, Dorota Walczak-Delanois, Gregory Watson. 410 0$aAvant-Garde Critical Studies$v35. 606 $aBeats (Persons)$xInfluence 606 $aBeat literature$yHistory and criticism 606 $aAmerican literature$xAppreciation$zEurope 606 $aAvant-garde (Aesthetics)$zEurope$yHistory$y20th century 615 0$aBeats (Persons)$xInfluence. 615 0$aBeat literature 615 0$aAmerican literature$xAppreciation 615 0$aAvant-garde (Aesthetics) 676 $a810.90054 702 $aVeivo$b Harri 702 $aJames$b Petra 702 $aWalczak-Delanois$b Dorota 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910811303803321 996 $aBeat Literature in a Divided Europe$94086361 997 $aUNINA