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Pandora Sicilia s.r.l. 082 04$a368.0068 100 1 $aVincenzini, Maurizio$0374495 245 10$aLineamenti di gestione delle aziende di assicurazione :$bun approccio all'asset and liability management /$cMaurizio Vincenzini, Luca Gagliardi 260 $aRoma :$bKappa,$cc1996 300 $a580 p. ;$c24 cm 650 4$aCompagnie di assicurazione$xGestione 700 1 $aGagliardi, Luca$d<1963- >$eauthor$4http://id.loc.gov/vocabulary/relators/aut$0737582 907 $a.b13204634$b02-04-14$c23-09-04 912 $a991000319499707536 945 $aLE025 LIB B 612 [smarrito]$g1$i2025000167940$lle025$nC. 1$o-$pE0.00$q-$rl$sm $t0$u0$v0$w0$x0$y.i13859596$z23-09-04 996 $aLineamenti di gestione delle aziende di assicurazione$91460323 997 $aUNISALENTO 998 $ale025$b23-09-04$cm$da $e-$fita$git $h0$i1 LEADER 00867nam a2200205 i 4500 001 991004291038407536 005 20240109160433.0 008 231018s2008 it 000 0 ita d 020 $a9788802079080 040 $aBibl. Dip.le Aggr. Ingegneria Innovazione - Sez. IngegneriaInnovazione 082 0 $a944.041$221 100 1 $aGuerci, Luciano$0139844 245 04$aUno spettacolo non mai più veduto nel mondo :$bla Rivoluzione francese come unicità e rovesciamento negli scrittori controrivoluzionari italiani (1789-1799) /$cLuciano Guerci 260 $a[Torino] :$bUTET libreria,$c[2008] 300 $aVI, 321 p.$c24 cm 650 4$aRivoluzione francese$xGiudizi degli intellettuali italiani$y1789-1815 650 4$aConservatorismo$zItalia$y1789-1815 912 $a991004291038407536 996 $aSpettacolo non mai più veduto nel mondo$91020358 997 $aUNISALENTO LEADER 04264nam 2200577 450 001 9910811299603321 005 20191118111955.0 010 $a0-7556-0443-1 010 $a0-85772-538-6 010 $a0-85773-846-1 024 7 $a10.5040/9780755604432 035 $a(CKB)4340000000262912 035 $a(MiAaPQ)EBC5338694 035 $a(CaBNVSL)mat55604432 035 $a(OCoLC)1128166882 035 $a(CaBNVSL)9780755604432 035 $a(EXLCZ)994340000000262912 100 $a20191118d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aContemporary art from the Middle East $eregional interactions with global art discourses /$fedited by Hamid Keshmirshekan 205 $aFirst edition. 210 1$aLondon, England :$cI.B. Tauris,$d2019. 210 2$a[London, England] :$cBloomsbury Publishing,$d2019. 215 $a1 online resource (xix, 263 pages, 24 unnumbered pages of plates) $cillustrations 225 1 $aInternational Library of Modern and Contemporary Art ;$v18 311 $a1-78453-002-6 320 $aIncludes bibliographical references (pages 246-257) and index. 327 $aTrauma, memory and history / Hamid Dabashi -- Oblique points of entry / Irit Rogoff -- Framing the discipline of contemporary art of the Arab world through the press / Nada Shabout -- Mapping Iranian contemporary art publications and knowledge-production / Hamid Severi -- The spectre (of knowledge) : recording the vernacular / Shaheen Merali -- Education and the teaching of contemporary art from the Middle East / James Allan -- The crisis of belonging : on the politics of art practice in contemporary Iran / Hamid Keshmirshekan -- A short history of postwar art in Lebanon through the early work of Walid Sadek and Ziad Abillama / Sarah Rogers -- Deconstruction and the contemporary arts of Iran : reversal of the hierarchy / Abbas Daneshvari -- Introducing art from the Middle East and its diaspora into western institutions : benefits and dilemmas / Fereshteh Daftari -- Histories of the present : the changing worlds of Middle Eastern artists / Venetia Porter -- Tehran Museum of Contemporary Art as a microcosm of the state's cultural agenda / Helia Darabi. 330 $aHow is home-grown contemporary art viewed within the Middle East? And is it understood differently outside the region? What is liable to be lost when contemporary art from the Middle East is 'transferred' to international contexts - and how can it be reclaimed? This timely book tackles ongoing questions about how 'local' perspectives on contemporary art from the Middle East are defined and how these perspectives intersect with global art discourses. Inside, leading figures from the Middle Eastern art world, western art historians, art theorists and museum curators discuss the historical and cultural circumstances which have shaped contemporary art from the Middle East, reflecting on recent exhibitions and curatorial projects and revealing how artists have struggled with the label of 'Middle Eastern Artist'. Chapters reflect on the fundamental methodologies of art history and cultural studies - considering how relevant they are when studying contemporary art from the Middle East - and investigate the ways in which contemporary, so-called 'global', theories impact on the making of art in the region. Drawing on their unique expertise, the book's contributors offer completely new perspectives on the most recent cultural, intellectual and socio-political developments of contemporary art from the Middle East. 410 0$aInternational library of modern and contemporary art ;$v18. 606 $aMiddle Eastern art$y20th century 606 $aMiddle Eastern art$y21st century 606 $aModern art 606 $aOriental art$2bicssc 615 0$aMiddle Eastern art 615 0$aMiddle Eastern art 615 0$aModern art. 615 7$aOriental art 676 $a709.5609/04 702 $aKeshmirshekan$b Hamid 801 0$bN 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910811299603321 996 $aContemporary art from the Middle East$94086319 997 $aUNINA