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010   $a9786612856129
010   $a0-7735-6362-8
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100   $a19920529d1993      uy         0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aKleist on stage $e1804-1987 /$fWilliam C. Reeve
205   $a1st ed.
210   $aMontreal $cMcGill-Queen's University Press$dc1993
215   $a1 online resource (238 pages) $cillustrations
311 0 $a0-7735-0941-0 
320   $aIncludes bibliographical references (p. [217]-226) and index.
327   $tFront Matter -- $tContents -- $tAcknowledgments -- $tIntroduction -- $tDie Familie Schroffenstein -- $tDer zerbrochene Krug -- $tAmphitryon -- $tPenthesilea -- $tDas Käthchen von Heilbronn -- $tDie Hermannsschlacht -- $tPrinz Friedrich von Homburg -- $tConclusion -- $tNotes -- $tWorks Cited -- $tNewspapers and Magazines Cited -- $tAudio-Visual Material -- $tIndex
330   $aSince an account of every known staging would require several volumes, Kleist on Stage is limited to major productions in Germany, Austria, and Switzerland that attracted more than the usual press coverage, and to interpretations and adaptations outside the German-speaking countries. Reeve presents a chronological stage history of each of the plays, beginning with Die Familie Schroffenstein and ending with Prinz Friedrich von Homburg. He also discusses some of the problems faced by a director attempting to put a Kleistian drama on stage, and pleads for greater understanding and cooperation between the academic and theatrical traditions.
606   $aTheater$zEurope, German-speaking$xHistory
615  0$aTheater$xHistory.
676   $a792.9/5/0943
700   $aReeve$b William C.$f1943-$01627523
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910811279503321
996   $aKleist on stage$94058806
997   $aUNINA