LEADER 03248nam 2200721Ia 450 001 9910811261003321 005 20200520144314.0 010 $a1-134-38132-8 010 $a0-203-34728-5 010 $a1-134-38133-6 010 $a1-280-07424-8 010 $a0-203-49576-4 024 7 $a10.4324/9780203495766 035 $a(CKB)1000000000255546 035 $a(EBL)182580 035 $a(OCoLC)475896571 035 $a(SSID)ssj0000311309 035 $a(PQKBManifestationID)11276336 035 $a(PQKBTitleCode)TC0000311309 035 $a(PQKBWorkID)10328783 035 $a(PQKB)11425595 035 $a(MiAaPQ)EBC182580 035 $a(Au-PeEL)EBL182580 035 $a(CaPaEBR)ebr10099844 035 $a(CaONFJC)MIL7424 035 $a(OCoLC)56340755 035 $a(EXLCZ)991000000000255546 100 $a20030512d2004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTheatre and postcolonial desires /$fAwam Amkpa 205 $a1st ed. 210 $aLondon ;$aNew York $cRoutledge$d2004 215 $a1 online resource (221 p.) 225 1 $aRoutledge advances in theatre and performance studies ;$v1 300 $aDescription based upon print version of record. 311 $a0-415-43544-7 311 $a0-415-31287-6 320 $aIncludes bibliographical references (p. [188]-199) and index. 327 $aBook Cover; Title; Contents; List of illustrations; Foreword by Ngg wa Thiong'o; Acknowledgments; Introduction: from colonial modernity to postcolonial desires: oppositional theatre in Nigeria and England; Nigeria; Wole Soyinka: theatre, mythology, and political activism; Femi Osofisan: theatre, nation, and the revolutionary ideal; Tess Onwueme: theatre, gender, and power; The Yoruba Traveling Theatres: popular theatre and desires for postcolonial subjectivity; Theatre, democracy, and community development: Ahmadu Bello University and the Nigerian Popular Theatre Alliance; England 327 $aJohn Arden: dramatizing the colonial nationDavid Edgar: the nation's theatre and its anticolonial scribe; Caryl Churchill: decolonizing the nation through gender and class; Monstrosities, deviants, and darkies: Monstrous Regiment, Gay Sweatshop, and black theatre; Conclusion; Notes; Index 330 $aThis book explores the themes of colonial encounters and postcolonial contests over identity, power and culture through the prism of theatre. The author examines the work of prominent Nigerian and British playwrights who came of age after the passing of the British Empire. 410 0$aRoutledge advances in theatre and performance studies ;$v1. 606 $aTheater$zNigeria 606 $aTheater$zEngland 606 $aNigerian drama (English)$xHistory and criticism 615 0$aTheater 615 0$aTheater 615 0$aNigerian drama (English)$xHistory and criticism. 676 $a822.09358 676 $a822/.91409358 686 $a24.11$2bcl 700 $aAmkpa$b Awam$f1959-$01643221 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811261003321 996 $aTheatre and postcolonial desires$93988333 997 $aUNINA