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200 10$aSheer presence $ethe veil in Manet's Paris /$fMarni Reva Kessler
205   $a1st ed.
210   $aMinneapolis $cUniversity of Minnesota Press$dc2006
215   $a1 online resource (xxxi, 215 pages) $cillustrations
311 0 $a0-8166-4782-8 
311 0 $a0-8166-4781-X 
320   $aIncludes bibliographical references (p. 173-200) and index.
327   $aCONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; 1. PATHOLOGIZING THE SECOND EMPIRE CITY; 2. MAKING UP THE SURFACE; 3. UNMASKING MANET'S MORISOT, OR VEILING SUBJECTIVITY; 4. THE OTHER SIDE OF THE VEIL; EPILOGUE; NOTES; BIBLIOGRAPHY; INDEX
330   $aIn Sheer Presence, Marni Reva Kessler demonstrates how the ubiquitous veil and its visual representations knot together many of the precepts of Parisian life. Positioning the veil directly at the intersection of feminist, formalist, and social art history, Kessler offers a fresh perspective on period discourses of public health, seduction and sexuality, colonial stereotypes, and, ultimately, an emerging modernity.
606   $aVeils$xSocial aspects$zFrance$zParis
606   $aVeils$zFrance$zParis$xHistory$y19th century
606   $aVeils in art
606   $aImpressionism (Art)$zFrance$zParis
607   $aParis (France)$xSocial life and customs$y19th century
607   $aParis (France)$xHistory$y19th century
615  0$aVeils$xSocial aspects
615  0$aVeils$xHistory
615  0$aVeils in art.
615  0$aImpressionism (Art)
676   $a391.4/30944361
700   $aKessler$b Marni Reva$01605494
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