LEADER 07355nam 2200649Ia 450 001 9910811254103321 005 20230721031917.0 010 $a1-282-26579-2 010 $a9786612265822 010 $a94-012-0484-5 010 $a1-4356-1258-2 024 7 $a10.1163/9789401204842 035 $a(CKB)1000000000480516 035 $a(EBL)556892 035 $a(OCoLC)714568427 035 $a(SSID)ssj0000222627 035 $a(PQKBManifestationID)11210312 035 $a(PQKBTitleCode)TC0000222627 035 $a(PQKBWorkID)10190727 035 $a(PQKB)11200239 035 $a(MiAaPQ)EBC556892 035 $a(OCoLC)182845981$z(OCoLC)608470109$z(OCoLC)666985649$z(OCoLC)714568427$z(OCoLC)748599547$z(OCoLC)764536677$z(OCoLC)768695239$z(OCoLC)847423079$z(OCoLC)961487482$z(OCoLC)962560417$z(OCoLC)966212298$z(OCoLC)974513866$z(OCoLC)974521584$z(OCoLC)974574889$z(OCoLC)974576767$z(OCoLC)988519686$z(OCoLC)991955351 035 $a(nllekb)BRILL9789401204842 035 $a(Au-PeEL)EBL556892 035 $a(CaPaEBR)ebr10380609 035 $a(CaONFJC)MIL226579 035 $a(EXLCZ)991000000000480516 100 $a20070914d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe play within the play$b[electronic resource] $ethe performance of meta-theatre and self-reflection /$fedited by Gerhard Fischer, Bernhard Greiner 210 $aAmsterdam ;$aNew York $cRodopi$d2007 215 $a1 online resource (477 p.) 225 1 $aInternationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft,$x0929-6999 ;$v112 300 $aSelection of papers delivered at the 2004 Sydney German Studies Symposium and revised and edited for publication. 311 $a90-420-2257-4 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material -- $tThe Birth of the Subject out of the Spirit of the Play within the Play: The Hamlet Paradigm /$rBernhard Greiner -- $tSelf-Reflexivity in the Play within the Play and its Cross-Genre Manifestation /$rYifen Beus -- $t?Backstage Discourse?: Staging the Other in Ethnographic and Colonial Literature /$rKlaus R. Scherpe -- $tThe Play within the Play and the Closure of Representation /$rDavid Roberts -- $tPlaying and not Playing in Jean Genet?s The Balcony and The Blacks /$rCaroline Sheaffer-Jones -- $tThe Figure in the Carpet: Metadramatical Concepts in Jacob Bidermann?s Cenodoxus (1602) /$rChristian Sinn -- $tHolding a Mirror up to Theatre: Baro, Gougenot, Scudéry and Corneille as Self-Referentialists in Paris, 1628-35/36 /$rJohn Golder -- $tRehearsing the Endgame: Max Frisch?s Biography: A Play /$rManfred Jurgensen -- $tTom Stoppard?s The Real Inspector Hound (1968) and The Real Thing (1982): New Frames and Old /$rBarnard Turner -- $tThe Invisible Fool: Botho Strauss?s Postmodern Metadrama and the History of Theatrical Reality /$rUlrike Landfester -- $tQueen of a Bathtub: Hanoch Levin?s Political, Aesthetic and Ethical Metatheatricality /$rShimon Levy -- $tThe Disguised and Distanced Real(ity) Play within the Fictitious Play in Israeli Stage-Drama /$rGad Kaynar -- $tA Lacerated Culture, A Self-Reflexive Theatre: The Case of Israeli Drama /$rZahava Caspi -- $t?Very Tragical Mirth?: The Play within the Play as a Strategy for Interweaving Tragedy and Comedy /$rFrank Zipfel -- $tPlay and Reality in Austrian Drama: The Figure of the Magister Ludi /$rHerbert Herzmann -- $tPlaying Tragedy: Detaching Tragedy from Itself in Classical Drama from Lessing to Büchner /$rHelmut J. Schneider -- $tPlaywrights Playing with History: The Play within the Play and German Historical Drama (Büchner, Brecht, Weiss, Müller) /$rGerhard Fischer -- $tPostmodernism Unmasked: Rainald Goetz?s Festung and Albert Ostermaier?s The Making of B-Movie /$rBirgit Haas -- $tThe Context Within: The Play within the Play between Theatre Anthropology, System Theory and Postcolonial Critique /$rLada Cale Feldman -- $tIntercultural Framing in Aimé Césaire?s Une Tempête /$rMaurice Blackman -- $tRe-Interpreting Shadow Material in an Ancient Greek Myth: Another Night: Medea /$rKyriaki Frantzi -- $tJohn Gay and the Frame Play /$rYvonne Noble -- $tOpera within Opera: Contexts for a Metastasian Interlude /$rDonald Bewley -- $tTheatrical Transformation, Media Superimposition and Scenic Reflection: Pictorial Qualities of Modern Theatre and the Hofmannsthal/Strauss Opera, Ariadne auf Naxos /$rTheresia Birkenhauer -- $tPushkin in Love, or: A (Screen)Play within the Play. The Cinematic Potential of Romantic-Ironic Narration in Eugene Onegin /$rErika Greber -- $tThe Text within the Text, the Screen within the Screen: Multi-Layered Representations in Michael Almereyda?s Hamlet and Baz Luhrmann?s Romeo + Juliet /$rAlessandro Abbate -- $t?Gotta Dance? (in the Dark): Lars von Trier?s Critique of the Musical Genre /$rKen Woodgate -- $tThe Game of the Narrative: Kleist?s Fiction from a Game-Theoretical Perspective /$rTim Mehigan -- $tFrench Beans and Mashed Potatoes: Agonistic Play and Symbolic Acting in Gottfried Keller?s Prose Fiction /$rAlexander Honold -- $tPlaying with the Apparatus: Franz Kafka?s ?In the Penal Colony? and Barrie Kosky?s Interpretation for the Melbourne International Arts Festival /$rUlrike Garde -- $tNotes on Contributors -- $tIndex of Names. 330 $aThe thirty chapters of this innovative international study are all devoted to the topic of the play within the play . The authors explore the wide range of aesthetic, literary-theoretical and philosophical issues associated with this rhetorical device, not only in terms of its original meta-theatrical setting ? from the baroque idea of a theatrum mundi onward to contemporary examples of postmodern self-referential dramaturgy ? but also with regard to a variety of different generic applications, e.g. in narrative fiction, musical theatre and film. The authors, internationally recognized specialists in their respective fields, draw on recent debates in such areas as postcolonial studies, game and systems theories, media and performance studies, to analyze the specific qualities and characteristics of the play within the play : as ultimate affirmation of the ?self? (the ?Hamlet paradigm?), as a self-reflective agency of meta-theatrical discourse, and as a vehicle of intermedial and intercultural transformation. The challenging study, with its underlying premise of play as a key feature of cultural anthropology and human creativity, breaks new ground by placing the play within the play at the centre of a number of intersecting scholarly discourses on areas of topical concern to scholars in the humanities. 410 0$aInternationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ;$v112. 606 $aPlay within a play$vCongresses 606 $aDrama$xHistory and criticism$vCongresses 615 0$aPlay within a play 615 0$aDrama$xHistory and criticism 676 $a809.2 701 $aFischer$b Gerhard$f1945-$053059 701 $aGreiner$b Bernhard$0324978 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811254103321 996 $aThe play within the play$93930732 997 $aUNINA