LEADER 05337oam 2200505I 450 001 9910811244903321 005 20231117170722.0 010 $a90-04-38808-7 024 7 $a10.1163/9789004388086 035 $a(CKB)4100000007816868 035 $a(MiAaPQ)EBC5741273 035 $a(OCoLC)1061868442 035 $a(nllekb)BRILL9789004388086 035 $a(EXLCZ)994100000007816868 100 $a20170829d2017 uy 0 101 0 $afre 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMarie Vieux Chauvet?s Theatres $eThought, Form, and Performance of Revolt /$fChristian Flaugh, Lena Taub Robles 210 1$aLeiden,$aBoston :$cBRILL,$d2019. 215 $a1 online resource (268 pages) 225 1 $aCaribbean Series ;$vv. 35 311 $a90-04-38639-4 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material /$rChristian Flaugh and Lena Taub Robles --$tIntroduction /$rChristian Flaugh and Lena Taub Robles --$tPerceiving the Relationships in Nature: An Ecofeminist Reading of La Légende des Fleurs /$rRégine Michelle Jean-Charles --$tRe-Staging the Haitian Revolution Narrative: The Tragic Mulatta?s Dissonance and Eziliphonics in Dance on the Volcano /$rCae Joseph-Massena --$tDirty Love: Marie Chauvet, Guy Régis Jr, and Enfleshed Performances of Revolting Subjects /$rChristian Flaugh --$tThe Carnivalesque Theatre of Revolt in Marie Vieux-Chauvet?s Folie /$rCharlee M. Redman Bezilla --$tLa Danse sur le volcan: Marie Chauvet Tells ?Her-Story? of Theatre in Saint-Domingue at the Dawn of the Revolution /$rStéphanie Bérard --$tInterlude: ?She was a Legba? /$rAnthony Phelps --$t?To Live with Her Revolt?: Dance on the Volcano?s Diegetic Pivot /$rJeremy Matthew Glick --$tThe Crime Narrative as Social Commentary: Justice and Power in Marie Chauvet?s ?Birds of Prey? and Lucha Corpi?s Eulogy for a Brown Angel /$rGabrielle Gallo --$tSpectacle and Surveillance in Marie Vieux-Chauvet?s Colère /$rIoana Pribiag --$tTheatricalizing Amour, Colère, et Folie: José Pliya ?Adapts? and ?Adjusts? Marie Vieux-Chauvet /$rJudith G. Miller --$tLove: Translation of José Pliya?s Amour, as Adapted from Marie Vieux Chauvet?s Amour, with Notes from the Translator /$rLena Taub Robles --$t?To Fire?: A Process of Dramatically Adapting Depictions of Eighteenth-Century Haiti /$rNehanda Loiseau --$t?Bloodied Flower?: On Translating the Burden of the Floral in Marie Chauvet?s La Légende des Fleurs /$rAlessandra Benedicty-Kokken --$tAfter-Words: A Dialogue with Kaiama L. Glover and Guy Régis Jr /$rChristian Flaugh and Lena Taub Robles --$tIndex /$rChristian Flaugh and Lena Taub Robles. 330 $aMarie Vieux Chauvet?s Theatres: Thought, Form, and Performance of Revolt at once reflects and acts upon the praxis of theatre that inspired Haitian writer Marie Vieux Chauvet, while at the same time provides incisively new cultural studies readings about revolt in her theatre and prose. Chauvet ? like many free-minded women of the Caribbean and the African diaspora ? was banned from the public sphere, leaving her work largely ignored for decades. Following on a renewed interest in Chauvet, this collection makes essential contributions to Africana Studies, Theatre Studies, Performance Studies, Postcolonial Studies, and Global South Feminisms. Contributors are: Alessandra Benedicty-Kokken, Stéphanie Bérard, Christian Flaugh, Gabrielle Gallo, Jeremy Matthew Glick, Kaiama L. Glover, Régine Michelle Jean-Charles, Cae Joseph-Massena, Nehanda Loiseau, Judith G. Miller, Lizabeth Paravisini-Gebert, Anthony Phelps, Ioana Pribiag, Charlee M. Redman Bezilla, Guy Régis Jr, and Lena Taub Robles. This collection is a beautiful gathering of voices exploring Chauvet?s theatrical work, along with the role of theatre in her novels. The richly textured and evocatively written essays offer many new and necessary insights into the work of one of Haiti?s greatest writers. ? Laurent Dubois, Marcello Lotti Professor of Romance Studies and History, Duke University. Author of Haiti: The Aftershocks of History This collection draws necessary critical attention to how theatre and performance animate the work of a key figure in Caribbean fiction and drama. Using an innovative scholarly and artistic approach, the collection incorporates leading and new voices in Haitian studies and Francophone studies on Chauvet?s depictions of revolt. ? Soyica Diggs Colbert, Professor of African American Studies and Theater andamp; Performance Studies, Georgetown University. Author of Black Movements: Performance and Cultural Politics 410 0$aCaribbean series (Koninklijk Instituut voor Taal-, Land- en Volkenkunde (Netherlands)) ;$v35. 606 $aCriticism and interpretation 606 $aHaiti 606 $aLiterature 607 $aHaiti$xIn literature 615 0$aCriticism and interpretation. 615 0$aHaiti. 615 0$aLiterature. 676 $a842.914 702 $aFlaugh$b Christian 702 $aRobles$b Lena Taub 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910811244903321 996 $aMarie Vieux Chauvet?s Theatres$94031707 997 $aUNINA