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100   $a20120319d2012      ub         0
101 0 $aeng
135   $aurunu||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aActing in real time /$fPaul Binnerts ; translated by Paul Binnerts and Stephen Wangh
205   $a1st ed.
210  1$aAnn Arbor :$cThe University of Michigan Press,$d2012.
215   $a1 online resource (291 p.) 
300   $aBibliographic Level Mode of Issuance: Monograph
311 08$a9780472035038 
311 08$a0472035037 
320   $aIncludes bibliographical references (p. 259-266).
327   $aIntro -- Contents -- Acknowledgments -- Introduction: Human Behavior Is the Core Business of Theater -- Part 1: Premises and Inspirations -- 1. The Dilemmas of the Actor: Who Is He and What Is His Task? -- 2. The Heart and Soul of the Actor: Stanislavski's Approach -- 3. The Actor as Eyewitness to Social Processes: Brecht's Approach -- Part II: Acting In Real Time -- 4. The Technique -- 5. The Workshop -- 6. The Exercises -- Part III: Real-Time Acting and Theater In Historical Perspective -- 7. Origins and Conventions -- 8. New Conventions and Innovations -- Notes -- Illustrations (follow page 204).
330   $aA new theory of acting that tears down the theatrical "Fourth Wall".
606   $aActing
606   $aMethod acting
615  0$aActing.
615  0$aMethod acting.
676   $a792.02/8
700   $aBinnerts$b Paul$01663345
712 02$aMichigan Publishing (University of Michigan)
801  0$bMiU
801  1$bMiU
906   $aBOOK
912   $a9910811171703321
996   $aActing in real time$94020588
997   $aUNINA