LEADER 03671oam 2200637I 450 001 9910811156403321 005 20240131194049.0 010 $a1-136-46530-8 010 $a0-203-12785-4 010 $a1-299-14122-6 010 $a1-136-46531-6 024 7 $a10.4324/9780203127858 035 $a(CKB)2670000000331363 035 $a(SSID)ssj0000822429 035 $a(PQKBManifestationID)12363536 035 $a(PQKBTitleCode)TC0000822429 035 $a(PQKBWorkID)10757217 035 $a(PQKB)11385492 035 $a(MiAaPQ)EBC1125271 035 $a(Au-PeEL)EBL1125271 035 $a(CaPaEBR)ebr10659427 035 $a(CaONFJC)MIL445372 035 $a(OCoLC)828298552 035 $a(OCoLC)895068346 035 $a(OCoLC)830512203 035 $a(FINmELB)ELB137469 035 $a(EXLCZ)992670000000331363 100 $a20180706d2013 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aRedefining mainstream popular music /$fedited by Sarah Baker, Andy Bennett, and Jodie Taylor 210 1$aNew York, N.Y. ;$aAbingdon, Oxon :$cRoutledge,$d2013. 215 $axiv, 222 p. $cill 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-415-80782-4 311 $a0-415-80780-8 320 $aIncludes bibliographical references and index. 327 $tMainstream as metaphor : imagining dominant culture /$rAlison Huber --$tTeenybop and the extraordinary particularities of mainstream practice /$rSarah Baker --$tMainstream mythology : the industrial organization of The Archies /$rMatt Stahl --$tLesbian musicalities, queer strains and celesbian pop : the poetics and polemics of women-loving women in mainstream popular music /$rJodie Taylor --$tThe positioning of the mainstream in punk /$rErik Hannerz --$tKill the static : temporality and change in the hip-hop mainstream (and its "other") /$rMurray Forman --$tThe contradictions of the mainstream : Australian views of grunge and commercial success /$rCatherine Strong --$tElvis goes Hollywood : authenticity, resistance, commodification and the mainstream /$rDavid Baker --$tWalking in Memphis? : Elvis heritage between fan fantasy and built environment /$rMark Duffett --$t"Following in mother's silent footsteps" : revisiting the construction of femininities in 1960s popular music /$rSheila Whiteley --$tMusic from abroad : the internationalization of the US mainstream music market, 1940-90 /$rTimothy J. Dowd --$t"Sounds like an official mix" : the mainstream aesthetics of mash-up production /$rAdrian Renzo --$tChasing an aesthetic tail : latent technological imperialism in mainstream production /$rDennis Crowdy --$tThe hobbyist majority and the mainstream fringe : the pathways of independent music-making in Brisbane, Australia /$rIan Rogers --$tOff the beaten track : vernacular and the mainstream in New Zealand tramping club singsongs /$rMichael Brown --$tMusical listening at work : mainstream musical listening practices in the office /$rMichael Walsh --$tCheesy listening : popular music and ironic listening practices /$rAndy Bennett. 606 $aPopular music$xHistory and criticism 606 $aPopular culture 615 0$aPopular music$xHistory and criticism. 615 0$aPopular culture. 676 $a781.6409 701 $aBaker$b Sarah$f1977-$01398291 701 $aBennett$b Andy$f1963-$0147450 701 $aTaylor$b Jodie$f1980-$01713644 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811156403321 996 $aRedefining mainstream popular music$94106779 997 $aUNINA