LEADER 04341nam 2200721 450 001 9910811139103321 005 20231206222709.0 010 $a1-315-59661-X 010 $a1-317-09250-3 010 $a1-317-09249-X 010 $a1-4724-0967-1 035 $a(CKB)3710000000105175 035 $a(EBL)1683168 035 $a(SSID)ssj0001194319 035 $a(PQKBManifestationID)12513533 035 $a(PQKBTitleCode)TC0001194319 035 $a(PQKBWorkID)11150482 035 $a(PQKB)10184563 035 $a(Au-PeEL)EBL1683168 035 $a(CaPaEBR)ebr10865619 035 $a(CaONFJC)MIL919035 035 $a(OCoLC)879026132 035 $a(Au-PeEL)EBL5293905 035 $a(CaONFJC)MIL622034 035 $a(MiAaPQ)EBC1683168 035 $a(MiAaPQ)EBC5293905 035 $a(EXLCZ)993710000000105175 100 $a20140511h20142014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aMusic and identity in Ireland and beyond /$fedited by Mark Fitzgerald and John O'Flynn ; Barra Boydell [and fifteen others], contributors 210 1$aSurrey, England ;$aBurlington, Vermont :$cAshgate,$d2014. 210 4$dİ2014 215 $a1 online resource (340 p.) 300 $aDescription based upon print version of record. 311 $a1-4724-0966-3 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; List of Contributors; Foreword; Acknowledgements; Introduction; Part I: Historical Perspectives; 1 'Whatever has a Foreign Tone /We like much better than our own': Irish Music and Anglo-Irish Identity in the Eighteenth Century; 2 Traditional Music in the Irish Revival; 3 'A National School of Music Such as the World has Never Seen': Re-appropriating the Early Twentieth Century into a Chronology of Irish Composition; 4 The 'Irish Music' of Arnold Bax and E.J. Moeran; 5 Inventing Identities: The Case of Frederick May 327 $a6 Forging a Northern Irish Identity: Music Broadcasting on BBC Northern Ireland, 1924-39 Part II: Recent and Contemporary Production; 7 'From Inside my Head': Issues of Identity in Northern Ireland through the Music of Kevin O'Connell; 8 The Honourable Tradition of Non-existence: Issues of Irish Identity in the Music and Writings of Raymond Deane; 9 Dancing at the Crossroads Remixed: Irish Traditional Musical Identity in Changing Community Contexts; 10 Morrissey's Gothic Ireland; 11 Post-punk Industrial Cyber Opera? The Ambivalent and Disruptive Hybridity of Early 1990's U2 327 $aPart III: Cultural Explorations 12 Gael or Gall? Musical Identity in Early 1970's Cape Clear Island; 13 Positive Vibrations: Musical Communities in African Dublin; 14 Kalfou Danjere? Interpreting Irish-Celtic Music; 15 Music in Ireland: Youth Cultures and Youth Identity; 16 The Invention of Ethnicity: Traditional Music and the Modulations of Irish Culture; Select Bibliography; Index 330 $aThis interdisciplinary volume of essays contemplates whether 'music in Ireland' can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland and Music that give rise to multiple sites of identification. Arranged in interweaving sections of 'Historical Perspectives', 'Recent and Contemporary Production' and 'Cultural Explorations' its various chapters act to juxtapose the socio-historical distinctions between the major style categories - traditional, classical and popular - and to explore a range of dialectical relation 606 $aMusic$zIreland$xHistory and criticism 606 $aMusic$xSocial aspects$zIreland$xHistory 606 $aMusic$zNorthern Ireland$xHistory and criticism 606 $aMusic$xSocial aspects$zNorthern Ireland$xHistory 615 0$aMusic$xHistory and criticism. 615 0$aMusic$xSocial aspects$xHistory. 615 0$aMusic$xHistory and criticism. 615 0$aMusic$xSocial aspects$xHistory. 676 $a780.9415 702 $aFitzgerald$b Mark 702 $aO'Flynn$b John$f1959- 702 $aBoydell$b Barra 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811139103321 996 $aMusic and identity in Ireland and beyond$94053134 997 $aUNINA