LEADER 05340nam 2200601Ia 450 001 9910811093303321 005 20231212192357.0 010 $a94-012-0346-6 010 $a1-4356-0253-6 024 7 $a10.1163/9789401203463 035 $a(CKB)1000000000475297 035 $a(EBL)556733 035 $a(OCoLC)176906217 035 $a(SSID)ssj0000139637 035 $a(PQKBManifestationID)12053714 035 $a(PQKBTitleCode)TC0000139637 035 $a(PQKBWorkID)10010383 035 $a(PQKB)10578921 035 $a(MiAaPQ)EBC556733 035 $a(OCoLC)176906217$z(OCoLC)712988627$z(OCoLC)764536256$z(OCoLC)842287628$z(OCoLC)847864806 035 $a(nllekb)BRILL9789401203463 035 $a(Au-PeEL)EBL556733 035 $a(CaPaEBR)ebr10380389 035 $a(EXLCZ)991000000000475297 100 $a20070226d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aDisclosing intertextualities $ethe stories, plays, and novels of Susan Glaspell /$fedited by Martha C. Carpentier and Barbara Ozieblo 210 $aAmsterdam ;$aNew York, NY $cRodopi$d2006 215 $a1 online resource (308 p.) 225 1 $aDQR studies in literature ;$v37 300 $aDescription based upon print version of record. 311 $a90-420-2082-2 311 $a90-420-2083-0 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material /$rMartha C. Carpentier and Barbara Ozieblo --$tDISCLOSING INTERTEXTUALITIES: INTRODUCTION /$rMartha C. Carpentier and Barbara Ozieblo --$tSUSAN GLASPELL?S NATURALIST SCENARIOS OF DETERMINISM AND BLIND FAITH /$rMary E. Papke --$tAPOLLONIAN FORM AND DIONYSIAN EXCESS IN SUSAN GLASPELL?S DRAMA AND FICTION /$rMartha C. Carpentier --$tSUPPRESSED DESIRES AND TICKLESS TIME: AN INTERTEXTUAL CRITIQUE OF MODERNITY /$rMarcia Noe and Robert Marlowe --$tTHE NARROW HOUSE: GLASPELL?S TRIFLES AND WHARTON?S ETHAN FROME /$rSusan Koprince --$tFLOWERS BY DESIGN: SUSAN GLASPELL?S RE-VISION OF STRINDBERG?S A DREAM PLAY /$rMonica Stufft --$tAMERICAN EXPRESSIONISM AND THE NEW WOMAN: GLASPELL, TREADWELL, BONNER AND A DRAMATURGY OF SOCIAL CONSCIENCE /$rRytch Barber --$tSHE AND SHE: RACHEL CROTHERS AND SUSAN GLASPELL?S TURN TO PLAYWRITING /$rDrew Eisenhauer --$tSILENCED MOTHERS AND QUESTING DAUGHTERS IN SUSAN GLASPELL?S MATURE NOVELS /$rBarbara Ozieblo --$tSILENCE AND THE STRUGGLE FOR REPRESENTATIONAL SPACE IN THE ART OF SUSAN GLASPELL /$rKecia Driver McBride --$tREACHING FOR ?OUT THERE?: SUSAN GLASPELL?S RHETORIC OF THE FEMALE ARTIST /$rKaren H. Gardiner --$tSOCIAL REBELS? MALE CHARACTERS IN SUSAN GLASPELL?S WRITINGS /$rKristina Hinz-Bode --$tSOCIALIST HOUSEKEEPING: THE VISIONING, SISTERHOOD, AND CROSS-CLASS ALLIANCE /$rCynthia Stretch --$t?THE RULES OF THE INSTITUTION?: SUSAN GLASPELL AND SISTERHOOD /$rCaroline Violet Fletcher --$tAMERICA UNMASKED: CULTURAL COMMENTARY IN SUSAN GLASPELL?S SHORT FICTION /$rColette Lindroth --$tTHE POLITICAL AS PERSONAL IN THE WRITING OF SUSAN GLASPELL /$rLinda Ben-Zvi --$tCONTRIBUTORS /$rMartha C. Carpentier and Barbara Ozieblo --$tINDEX /$rMartha C. Carpentier and Barbara Ozieblo. 330 $aFor the first time, this volume brings together essays by feminist, Americanist, and theater scholars who apply a variety of sophisticated critical approaches to Susan Glaspell?s entire oeuvre. Glaspell?s one-act play, ?Trifles,? and the short story that she constructed from it, ?A Jury of Her Peers,? have drawn the attention of many feminist critics, but the rest of her writing?the short stories, plays and novels?is largely unknown. The essays gathered here will allow students of literature, women?s studies and theater studies an insight into the variety and scope of her oeuvre. Glaspell?s political and literary thinking was radicalized by the turbulent Greenwich Village environment of the first decades of the twentieth century, by progressive-era social movements and by modernist literary and theatrical innovation. The focus of Glaspell studies has, till recently, been dominated by the feminist imperative to recover a canon of silenced women writers and, in particular, to restore Glaspell to her rightful place in American drama. Transcending the limitations generated by such a specific agenda, the contributors to this volume approach Glaspell?s work as a dialogic intersection of genres, texts, and cultural phenomena?a method that is particularly apt for Glaspell, who moved between genres with a unique fluidity, creating such modernist masterpieces as The Verge or Brook Evans . This volume establishes Glaspell?s work as an ?intersection of textual surfaces,? resulting for the first time in the complex aesthetic appreciation that her varied life?s work merits. 410 0$aDQR studies in literature ;$v37. 606 $aAmerican literature$xCriticism and interpretation 615 0$aAmerican literature$xCriticism and interpretation. 676 $a812/.52 701 $aCarpentier$b Martha Celeste$01642888 701 $aOzieblo$b Ba?rbara$01642889 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811093303321 996 $aDisclosing intertextualities$93987823 997 $aUNINA