LEADER 03215nam 2200565 a 450 001 9910811049103321 005 20240516103242.0 010 $a1-58729-164-9 035 $a(CKB)111004365705658 035 $a(EBL)836721 035 $a(OCoLC)44964351 035 $a(SSID)ssj0000199486 035 $a(PQKBManifestationID)11172674 035 $a(PQKBTitleCode)TC0000199486 035 $a(PQKBWorkID)10188027 035 $a(PQKB)11526269 035 $a(MdBmJHUP)muse12500 035 $a(Au-PeEL)EBL836721 035 $a(CaPaEBR)ebr10579409 035 $a(MiAaPQ)EBC836721 035 $a(EXLCZ)99111004365705658 100 $a19930902d1994 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aMay all your fences have gates $eessays on the drama of August Wilson /$fedited by Alan Nadel 205 $a1st ed. 210 $aIowa City $cUniversity of Iowa Press$d1994 215 $a1 online resource (284 p.) 300 $aDescription based upon print version of record. 311 $a0-87745-439-6 320 $aIncludes bibliographical references and index. 327 $aCONTENTS; Preface; Introduction; The History Lesson: Authenticity and Anachronism in August Wilson's Plays; August Wilson's Burden: The Function of Neoclassical Jazz; Speaking of Ma Rainey / Talking about the Blues; Filling the Time: Reading History in the Drama of August Wilson; Boundaries, Logistics, and Identity: The Property of Metaphor in Fences and Joe Turner? Come and Gone; Ghosts on the Piano: August Wilson and the Representation of Black American History; American History as "Loud Talking" in Two Trains Running; Romare Bearden, August Wilson, and the Traditions of African Performance 327 $aThe Ground on Which I Stand: August Wilson's Perspective on African American WomenAugust Wilson's Women; August Wilson's Gender Lesson; I Want a Black Director; "The Crookeds with the Straights": Fences, Race, and the Politics of Adaptation; Annotated Bibliography of Works by and about August Wilson; Notes on Contributors; Index to the Plays 330 $aThis stimulating collection of essays, the first comprehensive critical examination of the work of two-time Pulitzer Prize-winning playwright August Wilson, deals individually with his five major plays and also addresses issues crucial to Wilson's canon: the role of history, the relationship of African ritual to African American drama, gender relations in the African American community, music and cultural identity, the influence of Romare Bearden's collages, and the politics of drama. The collection includes essays by virtually all the scholars who have currently published on Wi 606 $aHistorical drama, American$xHistory and criticism 606 $aAfrican Americans in literature 615 0$aHistorical drama, American$xHistory and criticism. 615 0$aAfrican Americans in literature. 676 $a812/.54 701 $aNadel$b Alan$f1947-$01593507 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811049103321 996 $aMay all your fences have gates$94087203 997 $aUNINA