LEADER 05399oam 2200721I 450 001 9910462457303321 005 20200520144314.0 010 $a1-283-84510-5 010 $a1-135-65168-X 010 $a0-203-71531-4 024 7 $a10.4324/9780203715314 035 $a(CKB)2670000000277101 035 $a(EBL)1075192 035 $a(OCoLC)823380427 035 $a(SSID)ssj0000810619 035 $a(PQKBManifestationID)11458779 035 $a(PQKBTitleCode)TC0000810619 035 $a(PQKBWorkID)10833679 035 $a(PQKB)11488724 035 $a(MiAaPQ)EBC1075192 035 $a(Au-PeEL)EBL1075192 035 $a(CaPaEBR)ebr10628805 035 $a(CaONFJC)MIL415760 035 $a(OCoLC)820719544 035 $a(EXLCZ)992670000000277101 100 $a20180706e20051946 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aChinese poems /$f[selected from 170 Chinese poems, More translations from the Chinese, The temple and The book of songs and translated from the Chinese by] Arthur Waley 210 1$aLondon ;$aNew York :$cRoutledge,$d2005. 215 $a1 online resource (216 p.) 225 0 $aChina, history, philosophy, economics ;$v31 300 $a"First issued in paperback 2011"--T.p. verso. 300 $aFirst published in 1946 by George Allen & Unwin Ltd. 311 $a0-415-61266-7 311 $a0-415-36175-3 320 $aIncludes bibliographical references and index. 327 $aFront Cover; Chinese Poems; Copyright Page; Preface; Contents; From The Book of Songs; Origin-Legend of the Chou Tribe M. 245; Sixteen Songs of Courtship M. 94, 148, 20, 88, 42, 48, 76, 96, 77, 78, 143, 93, 55, 81, 140 and 73; Wedding Song M. 67; Widow's Lament M. 124; Soldiers' Song (1) M. 234; Soldiers' Song (2) M. 167; Return from Battle M. 169; Herdsman's Song M. 190; Dynastic Hymn M. 283; Two Laments M. 70 and 135; The Big Chariot M. 206; Dance Song M. 11; Hymn to the Fallen 'Elegies of Ch'u,' II.; The Great Summons 'Elegies of Ch'u,' VII.; The Autumn Wind Y. II. 6; Li Fu-je?n Y. II. 7 327 $aLament of Hsi-chu?n Y. II. 11To His Wife Y. 11.14; Parting from Su Wu Y. II. 16; Poverty Fu Hui. Part II. 19; The Golden Palace H. Mixed, I. 9; The Orphan Y. III. 20; ""Old Poem"" Y. IV. 16; Meeting in the Road Y. III. 18; Fighting South of the Ramparts Y. III. 13; The Eastern Gate Y. III. 19; Old and New Y. IV. 15; South of the Great Sea Y. III. 13; The Other Side of the Valley F. xxv. 42; Oaths of Friendship Y. I. 16 and Y. III. 14; Burial Songs Y. III. 15; Seventeen Old Poems Y. IV. 8 seq.; Song of Snow-white Heads Y. II. 13; The Song of Lo-fu Y. III. 16 327 $aThe Bones of Chuang Tzu Pu Hui, Part II. 19The Dancers of Huai-nan Fu Hui, 92; The Lychee-tree Fu Hui, 126; The Wangsun Fu Hui, 136; The Nightmare Fu Hui, 18; To His Wife Y. III. 3; Ch'in Chia's Wife's Reply H. Mixed I. 6; On the Death of his Father Y. V. 4; The Ruins of Lo-yang Y. V. 20; The Cock-.fight F. LXIV. 5; A Vision C. XXIII. 14; The Liberator Y. V. 15; The Curtain of the Wedding Bed L. III. 4; Bearer's Song Y. VI. 8; Regret H. Five-word II. 39; Taoist Song C. XXVIII. 2; A Gentle Wind H. III. 10; Woman F. XXXIV. 2; Satire on Paying Calls in August H. Five-word II. 23 327 $aHot Cake Fu Hui, 100The Desecration of the Han Totnbs Y. VII. 21; Day Dreams Y. VII. 17; The Scholar in the Narrow Street Y. VII. 19; The Valley Wind Y. VII. 14; A Peacock Flew ... Y. IV. 1; Poems by T'ao Ch'ien Works, IV. 6, V.5, V.5, IV. I, VI. 4, V. 8, V. 5, IV. 6, IV. 2, VI. 7, III. I and III. I; Sailing Homeward C. XLVI. 6; Six Folk-Songs F. XLIV. 5, XLIV. 6, *XLIV. 6, *XLVI. 6, *XLVI. 6 and XLVIII. 4; The Little Lady of Ch'ing-ch'i F. XLVII. 7; Plucking the Rushes F. XLIX. 7; Ballad of the Western Island F. LXXII. 5; Song of the Men of Chin-ling Y. XII. 2 327 $aDreaming of a Dead Lady H. Five-word IX. 16People Hide Their Love F. XVII. 9; Summer Song F. XLIV. 22; Lo-yang H. New. I. 11; Winter Night C. LXXIX. 16; The Waters of Lung-t'ou L. XI. 3; Teleg Song F. LXXXVI. 7; The Ballad of Mulan Y. XIII. 27; Flowers and Moonlight . .. L. XII. 16 and F. XLVII. 1; Cock-crow Song Y. XIV. end; Tell Me Now Complete T'ang Poems II. 69; Business Men Complete T'ang Poems IV. I; In the Mountains . .. Works XXIII. 9; Self-abandonment Works XXIII. 12; To Tan-ch'iu Works XXV. I; Clearing at Dawn Works XXX. 8; Stone Fish Lake Complete T'ang Poems IX. 38 327 $aCivilization Complete T'ang Poems IX. 33 330 $aFirst published in 1946. Here in one volume is a collection of Arthur Waley's translations of Chinese poetry. The book includes some poems from The Book of Songs and 170 Chinese Poems, More Translations and The Temple. Some old translations have been revised and new notes and explanatory material added. 410 0$aChina, history, philosophy, economics ;$v36. 606 $aChinese poetry$vTranslations into English 606 $aChinese literature$vTranslations into English 608 $aElectronic books. 615 0$aChinese poetry 615 0$aChinese literature 676 $a895.1/1008 676 $a895.11008 700 $aWaley$b Arthur.$0203962 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462457303321 996 $aChinese poems$91179772 997 $aUNINA LEADER 05170nam 2200673 450 001 9910810978703321 005 20230807214344.0 010 $a3-11-042301-4 010 $a3-11-042304-9 024 7 $a10.1515/9783110423013 035 $a(CKB)3710000000393053 035 $a(EBL)2028775 035 $a(SSID)ssj0001552605 035 $a(PQKBManifestationID)16171233 035 $a(PQKBTitleCode)TC0001552605 035 $a(PQKBWorkID)14813130 035 $a(PQKB)11120245 035 $a(MiAaPQ)EBC2028775 035 $a(DE-B1597)451611 035 $a(OCoLC)908074387 035 $a(DE-B1597)9783110423013 035 $a(Au-PeEL)EBL2028775 035 $a(CaPaEBR)ebr11049309 035 $a(CaONFJC)MIL809022 035 $a(EXLCZ)993710000000393053 100 $a20150501h20152015 uy| 0 101 0 $aeng 135 $aur|nu---|u||u 181 $ctxt 182 $cc 183 $acr 200 14$aThe visible and the invisible $eon seventeenth-century Dutch painting /$fDaniela Hammer-Tugendhat ; translated from German by Margarethe Clausen 210 1$aBerlin :$cDe Gruyter,$d[2015] 210 4$d©2015 215 $a1 online resource (340 p.) 225 1 $aEdition Angewandte,$x1866-248X 300 $aDescription based upon print version of record. 311 $a3-11-042690-0 320 $aIncludes bibliographical references. 327 $tFront matter --$tContents --$tPreface --$t1. On Female Representation or On the disappearance of male protagonists from the field of representation --$t2. On Male Representation or On the disappearance of female protagonists from the field of representation --$t3. Asymmetry. Gender Relations in the Field of Sexuality --$t4. Summary --$t1. Mirror, Mirror on the Wall ? Woman before the Mirror by Frans van Mieris --$t2. The Picture within the Picture or Conveying the world through media Woman Holding a Balance by Vermeer --$t3. Farewell to Lessing?s Laocoon: Leaving behind a Methodological Dispute Gabriel Metsu?s A Woman Reading a Letter --$t4. The Gender of Letters --$t5. Affect / Emotion / Imagination --$tLiterature --$tIllustrations 330 $aDie holländische Malerei des 17. Jahrhunderts reflektiert ihr Verhältnis zur sichtbaren Wirklichkeit. Sie thematisiert Ambivalenzen und Widersprüche. Als Avantgarde künstlerischer Medien trägt sie zur Herausbildung einer modernen ?bürgerlichen? Subjektivität bei. Sie entlässt die Themen aus ihrer traditionellen ikonologischen Fixierung und evoziert unterschiedliche Imaginationen und Semantisierungen - Aspekte, die in der Forschung bisher kaum wahrgenommen worden sind. Das Buch versteht sich als Plädoyer für eine Kunstgeschichte als Kulturwissenschaft, die das semantische Potential von Kunst innerhalb diskursiver und sozialer zeitgenössischer Praxen untersucht und zugleich ihre Aktualität aufzeigt. Werke von Rembrandt, Metsu, Vermeer und Hoogstraten u. a. dienen als exemplarische Fallbeispiele zur Auseinandersetzung mit aktuellen kunst- und kulturwissenschaftlichen Debatten, beispielsweise zur Repräsentation von Geschlechterdifferenz, zur Text-Bild Beziehung und zum Affektdiskurs. 330 $aThe book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices. Dutch painting of the seventeenth century reflects its relationship to visible reality. It deals with ambiguities and contradictions. As an avant-garde artistic media, it also contributes to the emergence of a subjectivity towards the modern ?bourgeois?. It discards subject matter from its traditional fixation with iconology and evokes different imaginations and semantizations - aspects that have not been sufficiently taken into account in previous research. The book is to be understood as an appeal for art history as a form of cultural science that analyses the semantic potential of art within discursive and social contemporary practices, and, at the same time, demonstrates its relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten, and others serve as exemplary case studies for addressing current debates in art history and cultural studies, such as representation of gender difference, relationship between text and image, and emotional discourse. 410 0$aEdition Die Angewandte, University Press. 606 $aPainting, Dutch$y17th century 606 $aWomen in art 606 $aSex in art 615 0$aPainting, Dutch 615 0$aWomen in art. 615 0$aSex in art. 676 $a709.49209032 700 $aHammer-Tugendhat$b Daniela$0308613 702 $aClausen$b Margarethe 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910810978703321 996 $aThe visible and the invisible$94089259 997 $aUNINA