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200 10$aCosmopolitan memory in Europe's 'backwaters' $erethinking civility /$fRodanthi Tzanelli
210  1$aMilton Park, Abingdon :$cRoutledge,$d2011.
215   $a1 online resource (203 p.)
300   $aDescription based upon print version of record.
311   $a1-138-01986-0 
311   $a0-415-62065-1 
320   $aIncludes bibliographical references and index.
327   $aFront Cover; Cosmopolitan Memory in Europe's 'Backwaters'; Copyright Page; Contents; List of illustrations; 1. Ethnographic fiction and autobiographical 'truth'; 2. Orientalist vision and the carnivalesque of'revelations'; 3. Foreground to background: from locality to 'nation'; 4. 'The winner takes it all': the coming of secondmodernity; 5. The Original Theft (and other treacherousreligiosities); 6. Leviathan revealed; Bibliography; Index
330   $aCosmpolitan Memory in Europe's 'Backwaters' reconsiders the definitional relationships of 'national character' and 'national heritage' in the context of Western industrial modernity. Taking as a case study the Greek islands of Skiathos and Skopelos which served as cinematic locations for the blockbuster Mamma Mia! (2008), the book explores how national identity - once shaped by political, cultural and religious practices - can now be reduced to little more than an ideal, created and sold globally by Western industries such as tourism and film. Tzanelli argues
606   $aNational characteristics, Greek
606   $aCulture and tourism$zGreece
606   $aTourism$xSocial aspects$zGreece
606   $aMotion pictures$xSocial aspects
606   $aCulture in motion pictures
607   $aSkiathos Island (Greece)
607   $aSkopelos Island (Greece)
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