LEADER 03755nam 2200661 450 001 9910810841003321 005 20230725063027.0 010 $a1-84779-814-4 035 $a(CKB)3710000000870381 035 $a(MiAaPQ)EBC4705536 035 $a(DE-B1597)658733 035 $a(DE-B1597)9781847798145 035 $a(EXLCZ)993710000000870381 100 $a20161013h20112011 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aNo other way to tell it $edocudrama on film and television /$fDerek Paget 205 $aSecond edition. 210 1$aManchester, [England] ;$aNew York, New York :$cManchester University Press,$d2011. 210 4$dİ2011 215 $a1 online resource (336 pages) 311 $a0-7190-8446-6 311 $a0-7190-8447-4 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgements -- $tIntroduction to the second edition -- $t1 Working on docudrama -- $t2 The law and regulation ? docudrama in the new millennium -- $t3 Codes, conventions and change -- $t4 Keywords, key debates -- $t5 Histories: antecedents and first phase -- $t6 Histories: second-phase developments -- $t7 Histories: third-phase ?co-pros? -- $t8 Histories: fourth-phase hybridisation -- $tBibliography -- $tIndex 330 $aThis second edition of No other Way To Tell It defines the form, analyses its codes and conventions, and reviews contrasting histories in America and British practice - taking into account new developments since the first edition.These include television?s radically new ecology; with factual formats a growth area. Docudrama in film has also burgeoned recently, partly because the industries themselves have grown closer and partly because of continued interest in the lives of the famous and of those in the news. International co-production now exploits many different screening opportunities and possibilities, with the result that docudrama and become a cinematic as well as televisual staple. Docudrama is not only popular with audiences; it also causes constant flurries of commentary and controversy. Concerns about ?borders? and ?boundaries?, a questioning of documentary?s claim to represent the real, doubts about the popular audience?s ability to cope with new approaches to the ideas of witness, testimony and confession, authenticity and truth - all fuel the debate.This new edition situates docudrama and its ongoing debates within a newly vibrant and still highly contentious field of practice. This book will interest readers - academic and general - with an interest in fact-based drama in film, theatre and television 606 $aTelevision plays$xHistory and criticism 606 $aHistorical drama$xHistory and criticism 610 $a1990s co-pros. 610 $aAmerican television. 610 $aBritish television. 610 $aGriersonian documentary. 610 $aTodd Gitlin. 610 $afiction. 610 $afilm. 610 $ahybridization. 610 $akeywords. 610 $amass audience. 610 $amedia-literate environment. 610 $amodern docudrama. 610 $apersonal stories. 610 $apre-production research. 610 $atelevision production. 610 $aterrorism. 615 0$aTelevision plays$xHistory and criticism. 615 0$aHistorical drama$xHistory and criticism. 676 $a809.2/25 700 $aPaget$b Derek$f1946-$0759905 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910810841003321 996 $aNo other way to tell it$94031419 997 $aUNINA