LEADER 04003nam 22008052 450 001 9910810549103321 005 20151005020621.0 010 $a1-107-13475-7 010 $a1-280-15975-8 010 $a0-511-12087-7 010 $a0-511-04267-1 010 $a0-511-14830-5 010 $a0-511-33027-8 010 $a0-511-48448-8 010 $a0-511-04590-5 035 $a(CKB)1000000000002439 035 $a(EBL)202292 035 $a(OCoLC)475917477 035 $a(SSID)ssj0000144736 035 $a(PQKBManifestationID)11160457 035 $a(PQKBTitleCode)TC0000144736 035 $a(PQKBWorkID)10167527 035 $a(PQKB)10517818 035 $a(SSID)ssj0000943187 035 $a(PQKBManifestationID)12392838 035 $a(PQKBTitleCode)TC0000943187 035 $a(PQKBWorkID)10975257 035 $a(PQKB)10735628 035 $a(UkCbUP)CR9780511484483 035 $a(MiAaPQ)EBC202292 035 $a(Au-PeEL)EBL202292 035 $a(CaPaEBR)ebr10030939 035 $a(CaONFJC)MIL15975 035 $a(EXLCZ)991000000000002439 100 $a20090224d2002|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEighteenth-century fiction and the law of property /$fWolfram Schmidgen$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2002. 215 $a1 online resource (viii, 266 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-02459-5 311 $a0-521-81702-1 320 $aIncludes bibliographical references (p. 246-261) and index. 327 $tCommunal form and the transitional culture of the eighteenth-century novel --$tTerra nullius, cannibalism, and the natural law of appropriation in Robinson Crusoe --$tHenry Fielding and the common law of plenitude --$tCommodity fetishism in heterogeneous spaces --$tAnn Radcliffe and the political economy of Gothic space --$tScottish law and Waverley's museum of property. 330 $aIn Eighteenth-Century Fiction and the Law of Property, Wolfram Schmidgen draws on legal and economic writings to analyse the description of houses, landscapes, and commodities in eighteenth-century fiction. His study argues that such descriptions are important to the British imagination of community. By making visible what it means to own something, they illuminate how competing concepts of property define the boundaries of the individual, of social community, and of political systems. In this way, Schmidgen recovers description as a major feature of eighteenth-century prose, and he makes his case across a wide range of authors, including Daniel Defoe, Henry Fielding, William Blackstone, Adam Smith, and Ann Radcliffe. The book's most incisive theoretical contribution lies in its careful insistence on the unity of the human and the material: in Schmidgen's argument, persons and things are inescapably entangled. This approach produces fresh insights into the relationship between law, literature, and economics. 517 3 $aEighteenth-Century Fiction & the Law of Property 606 $aEnglish fiction$y18th century$xHistory and criticism 606 $aLaw and literature$xHistory$y18th century 606 $aDwellings in literature 606 $aLandscapes in literature 606 $aProperty in literature 606 $aLaw in literature 615 0$aEnglish fiction$xHistory and criticism. 615 0$aLaw and literature$xHistory 615 0$aDwellings in literature. 615 0$aLandscapes in literature. 615 0$aProperty in literature. 615 0$aLaw in literature. 676 $a823.609355 700 $aSchmidgen$b Wolfram$01594999 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910810549103321 996 $aEighteenth-century fiction and the law of property$93995912 997 $aUNINA