LEADER 02425nam 2200565 450 001 9910810479803321 005 20170919050914.0 010 $a1-4985-0985-1 035 $a(CKB)3710000000466312 035 $a(EBL)4086478 035 $a(SSID)ssj0001544406 035 $a(PQKBManifestationID)16135308 035 $a(PQKBTitleCode)TC0001544406 035 $a(PQKBWorkID)12650081 035 $a(PQKB)10116415 035 $a(MiAaPQ)EBC4086478 035 $a(EXLCZ)993710000000466312 100 $a20150623h20152015 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 12$aA grammar of cinepoiesis $epoetic cameras of Italian cinema /$fSilvia Carlorosi 210 1$aLanham :$cLexington Books,$d[2015] 210 4$dİ2015 215 $a1 online resource (223 p.) 225 0 $aCine-aesthetics: new directions in film and philosophy 300 $aDescription based upon print version of record. 311 $a1-4985-0986-X 311 $a1-4985-0984-3 320 $aIncludes bibliographical references and index. 327 $aContents; Acknowledgments; Introduction; 1 Meter and Rhetoric; 2 Im-Signs and Free Indirect Subjective; 3 Color and Focus; 4 Sound and Silence; 5 Movement and Form; Epilogue; Appendix A; Appendix B; Bibliography; Index 330 $aA unique contribution to the fields of film studies and critical and cinematic theory, A Grammar of Cinepoiesis explores the theoretical and practical modes of a cinema of poetry and examines how it breaks the convention of narrative in cinema. Carlorosi demonstrates how cinema of poetry is able to open a dialogue between author, text, and viewers, while cinematic authors, like poietes (poets), bring to life multiple possible worlds. 410 0$aCine-Aesthetics: New Directions in Film and Philosophy 606 $aMotion pictures$zItaly$xHistory 606 $aMotion picture producers and directors$zItaly$vInterviews 606 $aMotion pictures$xPhilosophy 615 0$aMotion pictures$xHistory. 615 0$aMotion picture producers and directors 615 0$aMotion pictures$xPhilosophy. 676 $a791.430945 700 $aCarlorosi$b Silvia$f1975-$01649920 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910810479803321 996 $aA grammar of cinepoiesis$93999011 997 $aUNINA