LEADER 02115nam  2200457   450 
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005 20230807214618.0
010   $a1-78319-948-2
035   $a(CKB)3790000000017100
035   $a(EBL)2075785
035   $a(OCoLC)912237966
035   $a(MiAaPQ)EBC5283004
035   $a(MiAaPQ)EBC2075785
035   $a(Au-PeEL)EBL2075785
035   $a(EXLCZ)993790000000017100
100   $a20180927d2015      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aAlpha beta /$fTed Whitehead
210  1$aLondon :$cOberon Books,$d2015.
215   $a1 online resource (130 p.)
225 1 $aOberon modern plays
300   $aDescription based upon print version of record.
311   $a1-78319-947-4 
327   $a""Cover""; ""Title Page""; ""Copyright""; ""Contents""; ""Act One: 1000 Women a??? Winter 1962""; ""Act Two: Pseudomorph 1966""; ""Act Three: Alpha Beta a??? Summer, 1971""
330   $a'You know... when a structure has lost its essence but retained its shape, the geologists call it: a Pseudomorph. A false shape. That's our marriage.'  Mr and Mrs Elliot have imprisoned themselves within a domestic incarceration of marriage, family and society's twitching curtains. Battling through their self-made entrapment for the sake of the kids, they soon begin to destroy each other through an ugly routine of rows, affairs and suicidal blackmail.  Written with a controlled irony and an underlying compassion for its tormented characters, Ted Whitehead's bold and unflinching play asks questions about the choices we make to fit in with social conventions - questions that are just as relevant now as they were in 1972.
410  0$aOberon modern plays.
606   $aEnglish drama$y20th century
615  0$aEnglish drama
676   $a822
700   $aWhitehead$b E. A.$01239001
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910810418903321
996   $aAlpha beta$94002775
997   $aUNINA