LEADER 05893nam 22006134a 450 001 9910810368603321 005 20240515172307.0 010 $a1-283-90680-5 010 $a1-4175-0339-4 010 $a1-84642-335-X 035 $a(CKB)1000000000006388 035 $a(OCoLC)228069291 035 $a(CaPaEBR)ebrary10064409 035 $a(SSID)ssj0000227516 035 $a(PQKBManifestationID)11190600 035 $a(PQKBTitleCode)TC0000227516 035 $a(PQKBWorkID)10264955 035 $a(PQKB)10691137 035 $a(MiAaPQ)EBC290755 035 $a(Au-PeEL)EBL290755 035 $a(CaPaEBR)ebr10064409 035 $a(CaONFJC)MIL421930 035 $a(EXLCZ)991000000000006388 100 $a20020313d2002 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPrintmaking as therapy $eframeworks for freedom /$fLucy Mueller White 205 $a1st ed. 210 $aLondon ;$aPhiladelphia, Pa. $cJessica Kingsley Pub$d2002 215 $a1 online resource (256 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-84985-202-2 311 $a1-84310-708-2 320 $aIncludes bibliographical references and index. 327 $aIntro -- Printmaking as Therapy: Frameworks for Freedom -- Contents -- Acknowledgements -- Introduction -- Chapter 1 Why Choose Printmaking for Art Therapy? -- Product, process and person -- Variety of expression: lines and shapes -- Therapeutic distance -- Sustaining a vision -- Structure and containment -- Selection of an appropriate process -- Chapter 2 A Brief History of Printmaking -- Printmaking is basic -- Connection between materials and function -- Relief processes: stamps, woodcuts -- Intaglio processes: engraving, etching -- Planographic (surface) processes: lithographs, monotypes -- Screen processes: stencil, silk screen -- Contemporary processes -- Chapter 3 General Information -- Creating and holding a place to print -- Teaching a skill -- Archiving: signing and editioning -- Mixing printmaking and other art media -- Therapeutic discussion of prints -- Indirect process -- Underestimating artistic potential -- Ratings for techniques -- Chapter 4 Relief Printing and Stamping: Focus on the Process -- Relief printing: the very beginning -- Instructions for finger or thumb printing -- Stamp printing: focus on process -- General set up for stamp printing -- Instructions for stamp printing from found objects -- Commercially available stamps -- Instructions for making your own stamps -- Instructions for fabric printing -- Artistic and clinical applications -- Chapter 5 Relief Printing Plates -- Instructions for Styrofoam tray printing: process for line drawings -- Artistic and clinical considerations -- Commercially available relief plates -- Instructions for collagraph relief plates -- Instructions for simple one-session collagraph relief plates -- Instructions for two-session collagraph relief plates -- Instructions for glue plates -- Artistic and clinical considerations -- Chapter 6 Intaglio Processes: Focus on Lines -- Focus on lines. 327 $aAdvantages and disadvantages -- Equipment and materials -- Instructions for drypoint printing on Plexiglass ® -- Instructions for monoprints -- Variations: jigsaw or group plates -- Instructions for intaglio Styrofoam tray printing -- Instructions for simple one-session collagraph intaglio plates -- Instructions for two-session collagraph intaglio plates -- Instructions for glue prints -- Artistic and clinical considerations -- Chapter 7 Planographic Process: The Magic of Monotypes -- Planographic process -- Monotypes: the painterly print -- Basic monotype supplies -- Instructions for simple foldover (inkblot) monotypes -- Instructions for mystery monotypes -- Instructions for simple reductive monotypes -- Instructions for additive monotypes: the painterly print -- Instructions for monomask monotypes -- Ghost prints: reprinting -- Instructions for multiprint monotypes -- Instructions for watercolor monotypes -- Combination monotypes and embellishing -- Artistic and clinical considerations -- Art of one's own: nurturing the nurturer -- Chapter 8 Stencil Process: Focus on Products -- Stencil and screen processes -- Instructions for stenciling -- Artistic and clinical considerations -- Chapter 9 Simple Screen Processes -- Simple screens -- Instructions for cut or torn paper screens -- Instructions for shadow screens -- Instructions for contact paper screens -- Instructions for painted screens -- Instructions for non-toxic screen printing using commercially available supplies -- Instructions for tin can printing -- Artistic and clinical considerations -- Chapter 10 Putting it Together: Artists' Books, Sustaining a Vision -- History of books -- Artists' books -- What is a book? -- Making books in therapy -- Technical skills -- Book forms -- Chapter 11 When to Use Printmaking for Art Therapy -- The American Abstract Expressionists. 327 $aArt history and art therapy -- Advantages and disadvantages -- Appendix: Sources for Supplies -- References and Additional Reading -- Glossary -- Subject Index -- Author Index. 330 $aThe author explores the therapeutic advantages of printmaking. She also describes its roots outside art therapy. Relief printing, intaglio, planographic or surface processes, and stencilling are all covered in detail, with many ideas for incorporating them into art therapy sessions. 606 $aArt therapy 606 $aPrints$xTechnique 615 0$aArt therapy. 615 0$aPrints$xTechnique. 676 $a615.8/5156 700 $aWhite$b Lucy Mueller$f1944-$01662756 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910810368603321 996 $aPrintmaking as therapy$94019636 997 $aUNINA