LEADER 03588nam 22008655 450 001 9910810341903321 005 20230809233753.0 010 $a0-520-96006-8 024 7 $a10.1525/9780520960060 035 $a(CKB)4340000000188403 035 $a(MiAaPQ)EBC4711988 035 $a(DE-B1597)519353 035 $a(OCoLC)1001334312 035 $a(DE-B1597)9780520960060 035 $a(EXLCZ)994340000000188403 100 $a20190920d2017 fg 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aAnimation, Plasticity, and Music in Italy, 1770-1830 /$fEllen Lockhart 210 1$aBerkeley, CA :$cUniversity of California Press,$d[2017] 210 4$dİ2017 215 $a1 online resource (218 pages) $cillustrations 311 0 $a0-520-28443-7 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction --$t1. Attentive Statues --$t2. Pimmalione --$t3. Defining Italy in Haunted Rome --$t4. Partial Animacy and Blind Listening in Napoleonic Italy --$t5. Giuditta Pasta and the History of Musical Electrification --$tConclusion --$tNotes --$tBibliography --$tList of Illustrations --$tIndex 330 $aThis path-breaking study of stage works in Italian musical performances reconsiders a crucial period of music history. Through an interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music, and vice versa. As Lockhart reveals, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770-1830. Taking as its point of departure a repertoire of Italian ballets, melodramas, and operas from this period, Animation, Plasticity, and Music in Italy traces its core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism. 606 $aDramatic music$zItaly$y18th century 606 $aDramatic music$zItaly$y19th century 606 $aOperas$xLiterary themes, motives 610 $aaesthetic theory. 610 $aanimated statue. 610 $aart. 610 $aartists. 610 $adrama. 610 $aenlightenment. 610 $aepistemology of sensing. 610 $ahistorical. 610 $ainterdisciplinary. 610 $aitalian ballets. 610 $aitalian music. 610 $aitalian musical performances. 610 $aitalian operas. 610 $aitalian theater. 610 $aitaly. 610 $aitinerant performance traditions. 610 $alive entertainment. 610 $amelodramas. 610 $amusic criticism. 610 $amusic history. 610 $amusical practice. 610 $amusical. 610 $anationhood fantasies. 610 $aopera music. 610 $aperforming arts. 610 $aphilosophy. 610 $ascience. 610 $asciences of the body. 610 $astage works. 610 $atheatre. 610 $atheatrical. 610 $atheory of language. 615 0$aDramatic music 615 0$aDramatic music 615 0$aOperas$xLiterary themes, motives. 676 $a782.1094509033 700 $aLockhart$b Ellen$01709001 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910810341903321 996 $aAnimation, Plasticity, and Music in Italy, 1770-1830$94098409 997 $aUNINA