LEADER 03438nam 22006491a 450 001 9910810305203321 005 20240516135052.0 010 $a988-220-928-9 010 $a988-8053-87-6 035 $a(CKB)2670000000159978 035 $a(EBL)877737 035 $a(OCoLC)779542995 035 $a(SSID)ssj0000609880 035 $a(PQKBManifestationID)11350074 035 $a(PQKBTitleCode)TC0000609880 035 $a(PQKBWorkID)10623561 035 $a(PQKB)11090281 035 $a(StDuBDS)EDZ0000084846 035 $a(MdBmJHUP)muse3809 035 $a(Au-PeEL)EBL877737 035 $a(CaPaEBR)ebr10547283 035 $a(MiAaPQ)EBC877737 035 $a(EXLCZ)992670000000159978 100 $a20111014d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aJapanese cinema goes global$b[electronic resource] $efilmworkers' journeys /$fYoshiharu Tezuka 205 $a1st ed. 210 $aHong Kong $cHong Kong University Press$dc2012 215 $a1 online resource (215 p.) 225 1 $aTransAsia: screen cultures 300 $aDescription based upon print version of record. 311 $a988-8083-32-5 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- ch. 1. Japanese national identity and "banal" cosmopolitalization -- ch. 2. Internationalization of Japanese cinema : how Japan was different from the West and above Asia before globalization -- ch. 3. Globalization of film finance : the actually existing cosmopolitanisms of Japanese film producers -- ch. 4. Global America? : American-Japanese film co-productions from Shogun (1980) to The grudge 2 (2006) -- ch. 5. Pan-Asian cinema? : the past of Japan-centred regional cosmopolitanism. 330 $aJapan's film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within the international industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been through the globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan's national culture and the traditional sense of national belonging among Japanese people? 410 0$aTransAsia: screen cultures. 606 $aMotion picture industry$zJapan$xHistory 606 $aMotion pictures and globalization$zJapan 606 $aMotion pictures$xSocial aspects$zJapan 606 $aCulture and globalization$zJapan 615 0$aMotion picture industry$xHistory. 615 0$aMotion pictures and globalization 615 0$aMotion pictures$xSocial aspects 615 0$aCulture and globalization 676 $a791.430952 700 $aTezuka$b Yoshiharu$01635585 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910810305203321 996 $aJapanese cinema goes global$93976451 997 $aUNINA