LEADER 03549nam  2200625   450 
001 9910810270903321
005 20201023111955.0
010   $a1-5013-1065-8
010   $a1-5013-1063-1
024 7 $a10.5040/9781501310652
035   $a(CKB)3710000000929735
035   $a(MiAaPQ)EBC4731282
035   $a(OCoLC)1201427153
035   $a(CaBNVSL)mat01310652
035   $a(CaBNVSL)9781501310652
035   $a(EXLCZ)993710000000929735
100   $a20201023d2020      uy             0
101 0 $aeng
135   $aurcnu||||||||
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 10$aSonic technologies $epopular music, digital culture and the creative process /$fRobert Strachan
210  1$aLondon, England :$cBloomsbury Academic,$d2020.
210  2$aLondon, England :$cBloomsbury Publishing,$d2020
215   $a1 online resource (205 pages)
311   $a1-5013-1061-5 
320   $aIncludes bibliographical references.
327   $aTitle Page; Copyright Page; Contents; Acknowledgements; Introduction; Chapter 1 Digital technologies, democratization and cultural production; Chapter 2 Affordance, digital audio workstations and musical creativity; Chapter 3 Digital technology and technique in the creative process; Chapter 4 Creativity as discourse/creativity as experience in electronic dance music and electronica; Chapter 5 Digital aesthetics: Cyber genres, Auto-Tune and digital perfectionism; Conclusion; Works Cited; Index.
330   $a"Awarded a Certificate of Merit at the ARSC Awards for Excellence 2018 In the past two decades digital technologies have fundamentally changed the way we think about, make and use popular music. From the production of multimillion selling pop records to the ubiquitous remix that has become a marker of Web 2.0, the emergence of new music production technologies have had a transformative effect upon 21st Century digital culture. Sonic Technologies examines these issues with a specific focus upon the impact of digitization upon creativity; that is, what musicians, cultural producers and prosumers do. For many, music production has moved out of the professional recording studio and into the home. Using a broad range of examples ranging from experimental electronic music to more mainstream genres, the book examines how contemporary creative practice is shaped by the visual and sonic look and feel of recording technologies such as Digital Audio Workstations."--$cProvided by publisher.
606   $aPopular music$xPhilosophy and aesthetics
606   $aPopular music$xProduction and direction
606   $aComputer music$xHistory and criticism
606   $aElectronic music$xHistory and criticism
606   $aDigital audio editors
606   $aCreation (Literary, artistic, etc.)
606   $aMusic and technology
606   $aMusic recording & reproduction$2bicssc
615  0$aPopular music$xPhilosophy and aesthetics.
615  0$aPopular music$xProduction and direction.
615  0$aComputer music$xHistory and criticism.
615  0$aElectronic music$xHistory and criticism.
615  0$aDigital audio editors.
615  0$aCreation (Literary, artistic, etc.)
615  0$aMusic and technology.
615  7$aMusic recording & reproduction
676   $a786.7/16411
700   $aStrachan$b Robert$01628361
801  0$bDLC
801  1$bCaBNVSL
801  2$bCaBNVSL
906   $aBOOK
912   $a9910810270903321
996   $aSonic technologies$93965469
997   $aUNINA