LEADER 03057nam 2200481 450 001 9910810267903321 005 20221114080413.0 010 $a1-78680-318-6 035 $a(CKB)4100000005818994 035 $a(MiAaPQ)EBC5493112 035 $a(EXLCZ)994100000005818994 100 $a20180915d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArt after money, money after art $ecreative strategies against financialization /$fMax Haiven 210 1$aLondon :$cPluto Press,$d2018. 215 $a1 online resource (305 pages) $cillustrations 300 $aIncludes index. 311 $a0-7453-3825-9 311 $a0-7453-3824-0 327 $aIntroduction. Financialization and the imagination -- The best of enemies, the worst of friends -- Why bother? Activist questions -- Caveats toward abolition. 327 $aPart one. Three point five artistic strategies to envision money's mediation. Crises of representation -- Money, abstraction and transformation -- The art of money, the financialization of art, and a half-strategy -- Strategy 1: revelation -- Strategy 2: reflexivity -- On mediation -- Strategy 3: rendering labor visible. 327 $aPart two. Six artists x two crises x three orders of reproduction. Three theories of reproduction == Three artists, c.1973 -- Dawning financialization. 327 $aPart three. Zero participation: benign pessimism, tactical parasitics and the encrypted common. You can't give it away like you used to -- Social practices -- Cruel optimism. 327 $aPart four. Encryption: art's crypt, securitization in numbers, derivative socialities. The cryptic market -- A financialized society of control -- Freeport empire -- Palaces of encrypted culture -- A crypt within a crypt -- Popular unrest -- Derivative sociality -- Debtfair -- Epilogue: Beyond crypto. 327 $aConclusion. Toward abolitionist horizons. A abolitionist approach -- Another reproduction -- Beyond fascism. 330 $aHaiven uses money-art--the work of visual, performance and participatory artists who use money as medium or material for artistic intervention or expression--to help tell a story or a suite of short stories, about the relationship between culture and the economy in a time when the line between the two is increasingly blurred. By exploring the way contemporary artists engage with cash, debt and credit, the author identifies and assesses a range of creative strategies for mocking, sabotaging, exiting, decrypting and hacking capitalism today. --Adapted from publisher description. 606 $aArt$xEconomic aspects 606 $aMoney in art 615 0$aArt$xEconomic aspects. 615 0$aMoney in art. 676 $a706.8 700 $aHaiven$b Max$f1981-$01641638 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910810267903321 996 $aArt after money, money after art$94071420 997 $aUNINA