LEADER 02889nam 2200613 450 001 9910810189803321 005 20230807215811.0 010 $a0-253-01722-X 035 $a(CKB)3710000000430893 035 $a(EBL)2068802 035 $a(SSID)ssj0001497944 035 $a(PQKBManifestationID)11874267 035 $a(PQKBTitleCode)TC0001497944 035 $a(PQKBWorkID)11495756 035 $a(PQKB)10790550 035 $a(MiAaPQ)EBC2068802 035 $a(OCoLC)911046023 035 $a(MdBmJHUP)muse48287 035 $a(Au-PeEL)EBL2068802 035 $a(CaPaEBR)ebr11064690 035 $a(CaONFJC)MIL798686 035 $a(EXLCZ)993710000000430893 100 $a20150625h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusic and the crises of the modern subject /$fMichael L. Klein 210 1$aBloomington, Indiana ;$aIndianapolis, Indiana :$cIndiana University Press,$d2015. 210 4$dİ2015 215 $a1 online resource (206 p.) 225 1 $aMusical Meaning and Interpretation 300 $aDescription based upon print version of record. 311 $a0-253-01720-3 320 $aIncludes bibliographical references and index. 327 $aMusic and the symptom -- The acoustic mirror as formative of auditory pleasure and fantasy : Chopin's Berceuse, Brahms's Romanze, and Saariaho's "Parfum de l'instant" -- Debussy and the three machines of the Proustian narrative -- Chopin dreams : the Mazurka in C? minor as sinthome -- Intermezzo : on agency -- Postmodern quotation, the signifying chain, and the erasure of history -- Lutoslawski, molar and molecular. 330 $aDeparting from the traditional German school of music theorists, Michael Klein injects a unique French critical theory perspective into the framework of music and meaning. Using primarily Lacanian notions of the symptom, that unnamable jouissance located in the unconscious, and the registers of subjectivity (the Imaginary, the Symbolic Order, and the Real), Klein explores how we understand music as both an artistic form created by ""the subject"" and an artistic expression of a culture that imposes its history on this modern subject. By creatively navigating from critical theory to music, film 410 0$aMusical meaning and interpretation. 606 $aMusic$xPsychological aspects 606 $aMusic$xPhilosophy and aesthetics 606 $aMusical analysis 615 0$aMusic$xPsychological aspects. 615 0$aMusic$xPhilosophy and aesthetics. 615 0$aMusical analysis. 676 $a781.1/7 700 $aKlein$b Michael Leslie$01623713 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910810189803321 996 $aMusic and the crises of the modern subject$93958292 997 $aUNINA