LEADER 02629nam 2200445Ia 450 001 9910810181603321 005 20240410121438.0 010 0 $a9780195351859 010 0 $a0195351851 035 $a(MiAaPQ)EBC7035251 035 $a(CKB)24235064000041 035 $a(MiAaPQ)EBC272810 035 $a(Au-PeEL)EBL272810 035 $a(CaPaEBR)ebr10269079 035 $a(CaONFJC)MIL53044 035 $a(OCoLC)466428092 035 $a(EXLCZ)9924235064000041 100 $a19990603d2000 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe atonal music of Arnold Schoenberg, 1908-1923$b[electronic resource] /$fBryan R. Simms 205 $a1st ed. 210 $aNew York $cOxford University Press$d2000 215 $aix, 265 p. $cill 320 $aIncludes bibliographical references (p. 223-257) and index. 327 $aIntro -- Contents -- Abbreviations -- Chapter 1 Atonality and the Critical Imagination -- Chapter 2 Schoenberg's Evolution toward Atonality -- Chapter 3 Settings of the Poetry of Stefan George: Opp. 10, 14, and 15 -- Chapter 4 Small Instrumental Works: Opp. 11, 16, and 19 and Three Pieces for Chamber Orchestra -- Chapter 5 The Operas Erwartung and Die glückliche Hand -- Chapter 6 New Uses of the Voice: Herzgewächse, Pierrot lunaire, and Four Songs, Op. 22 -- Chapter 7 On the Road from Earth to Heaven: Symphony and Die Jakobsleiter -- Chapter 8 Composing with Tones: Five Piano Pieces, Op. 23, and Serenade, Op. 24 -- Glossary -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z. 330 $aBetween 1908 and 1923, Arnold Schoenberg began writing music that went against many of the accepted concepts and practices of this art. Largely following his intuition during these years, he composed some of the masterpieces of the modern repertoire--including Pierrot lunaire and Erwartung--works that have since provoked a large, though fragmented, body of critical and analytical writing. In this book, Bryan Simms combines a historical study with a close analytical reading of the music to give us a new and richer understanding of Schoenberg's seminal work during this period. 606 $aAtonality 615 0$aAtonality. 676 $a780/.92 700 $aSimms$b Bryan R$01601632 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910810181603321 996 $aThe atonal music of Arnold Schoenberg, 1908-1923$93925283 997 $aUNINA