LEADER 03600nam 2200757 a 450 001 9910810172903321 005 20240416190319.0 010 $a1-282-85896-3 010 $a9786612858963 010 $a0-7735-6879-4 024 7 $a10.1515/9780773568792 035 $a(CKB)1000000000245001 035 $a(SSID)ssj0000283509 035 $a(PQKBManifestationID)11242297 035 $a(PQKBTitleCode)TC0000283509 035 $a(PQKBWorkID)10250647 035 $a(PQKB)11130145 035 $a(CaPaEBR)400156 035 $a(CaBNvSL)gtp00521435 035 $a(Au-PeEL)EBL3330565 035 $a(CaPaEBR)ebr10132746 035 $a(CaONFJC)MIL285896 035 $a(OCoLC)929120777 035 $a(VaAlCD)20.500.12592/4fsjw3 035 $a(schport)gibson_crkn/2009-12-01/1/400156 035 $a(MiAaPQ)EBC3330565 035 $a(DE-B1597)654978 035 $a(DE-B1597)9780773568792 035 $a(MiAaPQ)EBC3243528 035 $a(EXLCZ)991000000000245001 100 $a20020820d2001 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRed stars $epersonality and the Soviet popular song, 1955-1991 /$fDavid MacFadyen 205 $a1st ed. 210 $aMontreal $cMcGill-Queen's University Press$dc2001 215 $axi, 319 p. $cports 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-7735-2106-2 320 $aIncludes bibliographical references (p. [273]-307), filmography (p. 307-309), discography (p. 310-315) and index. 327 $aThe Soviet popular song after Stalin -- Lyric or civic: personality and theatricality -- Why sing estrada? Philosophical contexts of the genre -- Edita Pekha: gentle voice of the thaw -- Iosif Kobzon and the civic response -- Irina Ponarovskaia and Sofiia Rotaru : in and out of Russia -- Lev Leshchenko and Valerii Leont'ev: two nightingales -- Alla Pugacheva: redefinine estrada -- Alla Pugacheva: redefining personality. 330 $aDavid MacFadyen delves into influential and widely disseminated songs that had a profound social significance in the Soviet Union. He discusses each singer's life, showing what it was that made them famous while placing the differences in their careers and fame in the context of Soviet culture as a whole. MacFadyen's multi-layered study considers national identity, gender, and the development of individual celebrity in a socialist state. He also looks at whether it is possible for artists to achieve genuine self-expression in a public arena under continuous political scrutiny. Both bold and penetrating, MacFadyen reveals a part of the Soviet Union that, while touching millions of people, has remained almost completely unexamined. 606 $aPopular music$zSoviet Union$xHistory and criticism 606 $aPopular music$xSocial aspects$zSoviet Union 606 $aSingers$zSoviet Union$vBiography 606 $aMusique populaire$zURSS$xHistoire et critique 606 $aMusique populaire$xAspect social$zURSS 606 $aChanteurs$zURSS$vBiographies 615 0$aPopular music$xHistory and criticism. 615 0$aPopular music$xSocial aspects 615 0$aSingers 615 6$aMusique populaire$xHistoire et critique. 615 6$aMusique populaire$xAspect social 615 6$aChanteurs 676 $a782.42164/0947/0904 700 $aMacFadyen$b David$f1964-$01594436 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910810172903321 996 $aRed stars$93914974 997 $aUNINA