LEADER 02448nam 2200601Ia 450 001 9910810172003321 005 20200520144314.0 010 $a1-282-77640-1 010 $a9786612776403 010 $a1-4438-2168-3 035 $a(CKB)3390000000009215 035 $a(EBL)1114386 035 $a(OCoLC)827209278 035 $a(SSID)ssj0000475410 035 $a(PQKBManifestationID)12131019 035 $a(PQKBTitleCode)TC0000475410 035 $a(PQKBWorkID)10463693 035 $a(PQKB)11754524 035 $a(Au-PeEL)EBL1114386 035 $a(CaPaEBR)ebr10652815 035 $a(CaONFJC)MIL277640 035 $a(FINmELB)ELB144584 035 $a(MiAaPQ)EBC1114386 035 $a(OCoLC)636921467 035 $a(EXLCZ)993390000000009215 100 $a20100927d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOpera-comique $ea sourcebook /$fRobert Ignatius Letellier 205 $a1st ed. 210 $aNewcastle-upon-Tyne $cCambridge Scholars$d2010 215 $a1 online resource (881 p.) 300 $aDescription based upon print version of record. 311 08$aPrint version: Letellier, Robert Ignatius. Opera-comique : a sourcebook. Newcastle-upon-Tyne : Cambridge Scholars, 2010. (OCoLC)636921467 1-4438-2140-3 320 $aIncludes bibliographical references (p. xxii-xxiii) and indexes. 327 $aTABLE OF CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; A CHRONOLOGY OF THE OPE?RA-COMIQUE; COMPOSERS AND THEIR WORKS AT THE OPE?RA-COMIQUE; INDEX 330 $aOpe?ra-comique, like grand ope?ra, a specifically French genre of opera, emerged from the political changes and intellectual discussion that played a recurrent role in determining the nature of artistic expression and production in Paris from the late 17th until the mid-18th centuries. Ope?ra-comique is distinguished by its use of spoken dialogue to link the arias and sung parts, and its more restrained use of recitatives. It emerged out of the popular entertainments, called ope?ras-comiques en... 606 $aOpera comique 606 $aOpera$zFrance 615 0$aOpera comique. 615 0$aOpera 676 $a782.1 700 $aLetellier$b Robert Ignatius$0679460 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910810172003321 996 $aOpera-comique$93914965 997 $aUNINA