LEADER 03652nam 2200661 450 001 9910810092603321 005 20200520144314.0 010 $a1-78238-422-7 024 7 $a10.1515/9781782384229 035 $a(CKB)3710000000244279 035 $a(EBL)1644350 035 $a(SSID)ssj0001348317 035 $a(PQKBManifestationID)12436750 035 $a(PQKBTitleCode)TC0001348317 035 $a(PQKBWorkID)11364623 035 $a(PQKB)10434320 035 $a(MiAaPQ)EBC1644350 035 $a(Au-PeEL)EBL1644350 035 $a(CaPaEBR)ebr10934951 035 $a(CaONFJC)MIL646510 035 $a(OCoLC)891081538 035 $a(DE-B1597)636054 035 $a(DE-B1597)9781782384229 035 $a(EXLCZ)993710000000244279 100 $a20141003h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aSounds of modern history $eauditory cultures in 19th and 20th century Europe /$fedited by Daniel Morat ; Carolyn Birdsall [and twelve others], contributors 210 1$aNew York ;$aOxford, England :$cBerghahn Books,$d2014. 210 4$dİ2014 215 $a1 online resource (352 p.) 300 $aDescription based upon print version of record. 311 $a1-322-15255-1 311 $a1-78238-421-9 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aTitle page; Copyright; Contents; Figures; Introduction; PART I Sound History in Perspective ; 1 Futures of Hearing Pasts ; PART II Literature, Science, and Sound Technologies in the Nineteenth Century ; 2 English Beat ; 3 The Human Telephone ; PART III Sound Objects as Artifacts of Attraction ; 4 Listening to the Horn ; 5 Phones, Horns, and "Audio Hoods" as Media of Attraction ; PART IV Music Listening in the Laboratory and in the Concert Hall ; 6 From the Piano Pestilence to the Phonograph Solo ; 7 The Invention of Silence ; PART V The Sounds of World War I 327 $a8 Cheers, Songs, and Marching Sounds 9 Listening on the Home Front ; PART VI Auditory Cultures in the Interwar Period ; 10 In Storms of Steel ; 11 Sound Aesthetics and the Global Imagination in German Media Culture around 1930 ; 12 Neurasthenia, Civilization, and the Sounds of Modern Life ; PART VII The Sounds of World War II ; 13 The Silence of Amsterdam before and during World War II ; Notes on Contributors ; Index 330 $a Long ignored by scholars in the humanities, sound has just begun to take its place as an important object of study in the last few years. Since the late 19th century, there has been a paradigmatic shift in auditory cultures and practices in European societies. This change was brought about by modern phenomena such as urbanization, industrialization and mechanization, the rise of modern sciences, and of course the emergence of new sound recording and transmission media. This book contributes to our understanding of modern European history through the lens of sound by examining diverse subjects 606 $aSound$xSocial aspects$zEurope$xHistory 607 $aEurope$xCivilization$y19th century 607 $aEurope$xCivilization$y20th century 607 $aEurope$xSocial life and customs 607 $aEurope$xSocial conditions 615 0$aSound$xSocial aspects$xHistory. 676 $a306.09409/034 686 $aNK 4950$2rvk 702 $aMorat$b Daniel$f1973- 702 $aBirdsall$b Carolyn 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910810092603321 996 $aSounds of modern history$94091550 997 $aUNINA