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010   $a1-78160-949-7
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035   $a(PQKBTitleCode)TC0001614364
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035   $a(Au-PeEL)EBL1631072
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035   $a(PPN)267236220
035   $a(EXLCZ)992670000000523223
100   $a20190118d2014      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aUkiyo-E /$fDora Amsden, Woldermar von Seidlitz
210  1$aNew York :$cParkstone International,$d[2014]
215   $a1 online resource (518 pages) $cillustrations
300   $aIncludes index.
311 0 $a1-84484-607-5 
327   $aChronology; Theatre; Women; Gods; Humour; Polarity of Man and Woman; Index
330   $aUkiyo-e ('pictures of the floating world') is a branch of Japanese art which originated during the period of prosperity in Edo (1615-1868). Characteristic of this period, the prints are the collective work of an artist, an engraver, and a printer. Created on account of their low cost thanks to the progression of the technique, they represent daily life, women, actors of kabuki theatre, or even sumo wrestlers. Landscape would also later establish itself as a favourite subject. Moronobu, the founder, Shunsho, Utamaro, Hokusai, and even Hiroshige are the most widely-celebrated artists of the movement.
606   $aColor prints, Japanese
606   $aColor prints, Japanese$vPictorial works
606   $aUkiyoe$vPictorial works
606   $aWood-engraving, Japanese$vPictorial works
615  0$aColor prints, Japanese.
615  0$aColor prints, Japanese
615  0$aUkiyoe
615  0$aWood-engraving, Japanese
676   $a769.952
700   $aAmsden$b Dora$01501544
702   $aSeidlitz$b Woldemar von$f1850-1922
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910810078003321
996   $aUkiyo-e$93923337
997   $aUNINA