LEADER 03472oam 2200505I 450 001 9910810043903321 005 20230809235732.0 010 $a90-04-39052-9 024 7 $a10.1163/9789004390522 035 $a(CKB)4970000000170191 035 $a(MiAaPQ)EBC5842561 035 $a(OCoLC)1066187374 035 $a(nllekb)BRILL9789004390522 035 $a(EXLCZ)994970000000170191 100 $a20170829d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aInterruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture$fBarbara Baert 210 1$aLeiden,$aBoston :$cBRILL,$d2019. 215 $a1 online resource (332 pages) 225 0 $aArt and Material Culture in Medieval and Renaissance Europe ;$vv. 14 311 $a90-04-39014-6 320 $aIncludes bibliographical references and index. 327 $aFront Matter -- Copyright Page -- Dedication/Epigraph -- List of Illustrations -- First Publication -- Copyrights -- Introduction or Thresholds?1 -- 1 Pentecost and the Senses: A Hermeneutical Contribution to the Visual Medium and the Sensorium in Early Medieval Manuscript Tradition?11 -- 2 An Odour, a Taste, a Touch: Impossible to Describe: Noli me tangere and the Senses?36 -- 3 ?Who Touched Me and My Clothes?? The Healing of the Woman with the Haemorrhage in Early Medieval Visual Culture?73 -- 4 The Johannesschüssel as Andachtsbild: The Gaze, the Medium, and the Senses?131 -- 5 ?When the Daughter Came in and Danced:? Revisiting Salome?s Dance in Medieval and Early Modern Iconology?169 -- 6 Wild Is the Wind: Pathosformel and Iconology of a Quintessence?221 -- Conclusions?256 -- Back Matter -- Bibliography -- Index of Names. 330 $aInterruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture is an anthology of the most recent works by Barbara Baert, discussing the connection between the experiences of the senses in the medieval and early modern visual culture, the hermeneutics of imagery, and the limits and possibilities of contemporary Art Sciences. The six chapters include Pentecost, Noli me tangere , the woman with an issue of blood, the Johannesschüssel , the dancing Salome, and the role of the wind. The reader is shown a medieval and early modern visual culture as a history of artistic solutions, as the fascinating approach between biblical texts, plastic imagination, and the art-scientific métier. This makes him a privileged guest in a unique in-between space where humans and their artistic expression can meet existentially. 410 0$aArt and Material Culture in Medieval and Renaissance Europe$v14. 606 $aChristian art and symbolism$zEurope$yMedieval, 500-1500 606 $aChristian art and symbolism$zEurope$yModern period, 1500- 606 $aSenses and sensation in art 606 $aArt and society$zEurope 615 0$aChristian art and symbolism 615 0$aChristian art and symbolism 615 0$aSenses and sensation in art. 615 0$aArt and society 676 $a704.9482 700 $aBaert$b Barbara$0602514 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910810043903321 996 $aInterruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture$94123315 997 $aUNINA