LEADER 04038oam 2200481K 450 001 9910810024003321 005 20190820011838.0 010 $a0-429-05586-2 010 $a0-429-62106-X 010 $a0-429-61891-3 024 8 $a10.4324/9780429055867 035 $a(CKB)4100000008737032 035 $a(MiAaPQ)EBC5831716 035 $a(OCoLC)1110010012 035 $a(OCoLC-P)1110010012 035 $a(FlBoTFG)9780429055867 035 $a(EXLCZ)994100000008737032 100 $a20190724d2019 uy 0 101 0 $aeng 135 $aurcnu---unuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe art and craft of TV directing $econversations with episodic television directors /$fJim Hemphill 210 1$aLondon ;$aNew York :$cRoutledge,$d2019. 215 $a1 online resource (165 pages) 311 $a0-367-15243-6 327 $aBethany Rooney (Arrow, Bull, The originals) -- Kurt Kuenne (The blacklist) -- Stacey K. Black (The closer, MacGyver, Midnight Texas) -- Norman Buckley (Gossip girl, Pretty little liars, The perfectionists) -- Anthony Hemingway (American crime story, Underground) -- Lauren Wolkstein (Queen sugar) -- James Hayman (The Sopranos, NCIS: New Orleans) -- Julie Plec (The Vampire Diaries, Riverdale, Roswell) -- Michael Dinner (L.A. Confidential, Justified) -- Joanna Johnson (The Fosters, Good trouble) -- David M. Barrett (Star Trek: Discovery, Blue Bloods) -- Andrew Mccarthy (The Family, The Blacklist) -- Kimberly Peirce (Dear white people, I love Dick, Six) -- Mark Pellington (Blindspot, Cold case) -- Karen Gaviola (NYPD blue, Lucifer, Magnum Pi) -- Lea Thompson (The Goldbergs, Mom) -- Bryan Spicer (Hawaii Five-0, The man in the high castle) -- Kevin Dowling (The son, Bosch, The Americans) -- Michael Katleman (China Beach, Zoo, Quantum leap) -- Mary Lou Belli (NCIS: New Orleans, Famous in love, Station 19). 330 $a"The Art and Craft of TV Directing offers a broad and in-depth view of the craft of TV Directing in the form of detailed interviews with dozens of the industry's most accomplished episodic television directors. Author Jim Hemphill provides students with essential information on the complexities of working in episodic TV, highlighting the artistic, technical, and interpersonal skills required, and exploring a variety of entry points and approaches to provide a comprehensive overview of how to begin and sustain a career as a television director. The book discusses how to merge one's personal style with the established visual language of any given show, while also adhering to tight budgets and schedules and navigating the complicated politics of working with showrunners, networks, and producers. The book also features interviews with a range of directors, from feature directors who have moved into episodic TV (Kimberly Peirce, Mark Pellington) to directors who have made the transition from other disciplines like acting (Andrew McCarthy, Lea Thompson), hair and makeup (Stacey K. Black) and stunts (David M. Barrett). This book provides unprecedented access to the experiences and advice of contemporary working episodic television directors, and is an ideal resource for students studying television directing, early career professionals looking for advice, and working directors looking to make the transition from feature directing to episodic TV directing"--$cProvided by publisher. 606 $aTelevision series$xProduction and direction 606 $aTelevision$xProduction and direction 606 $aTelevision producers and directors$zUnited States$vInterviews 615 0$aTelevision series$xProduction and direction. 615 0$aTelevision$xProduction and direction. 615 0$aTelevision producers and directors 676 $a791.45023 700 $aHemphill$b Jim$f1971-$01683580 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910810024003321 996 $aThe art and craft of TV directing$94054436 997 $aUNINA