LEADER 04272nam 2200649Ia 450 001 9910809893403321 005 20200520144314.0 010 $a1-136-63891-1 010 $a1-136-63892-X 010 $a0-203-80419-8 024 7 $a10.4324/9780203804193 035 $a(CKB)2550000000098493 035 $a(EBL)958069 035 $a(OCoLC)798531808 035 $a(SSID)ssj0000677442 035 $a(PQKBManifestationID)11457245 035 $a(PQKBTitleCode)TC0000677442 035 $a(PQKBWorkID)10693628 035 $a(PQKB)10952445 035 $a(MiAaPQ)EBC958069 035 $a(Au-PeEL)EBL958069 035 $a(CaPaEBR)ebr10542469 035 $a(CaONFJC)MIL761225 035 $a(OCoLC)784952831 035 $a(EXLCZ)992550000000098493 100 $a20110822d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aEntering the picture $eJudy Chicago, the Fresno Feminist Art Program, and the collective visions of women artists /$fedited by Jill Fields 205 $a1st ed. 210 $aNew York $cRoutledge$d2012 215 $a1 online resource (377 p.) 225 1 $aNew directions in American history 300 $aDescription based upon print version of record. 311 $a0-415-88769-0 311 $a0-415-88768-2 320 $aIncludes bibliographical references and index. 327 $aCover; Entering the Picture: judy Chicago, the fresno feminist art Program, and the Collective visons of women artists; Copright; Contents; Plates and Figure; Preface and Acknowledgments; Introduction; Section I: Emerging: Views from the Periphery; 1. Becoming Judy Chicago: Feminist Class; 2. Collaboration and Conflict in the Fresno Feminist Art Program: An Experiment in Feminist Pedagogy; 3. Reflections on the First Feminist Art Program; 4. Interview with Suzanne Lacy; 5. The First Feminist Art Program: A View from the 1980s; 6. Feminist Art Education: Made in California 327 $aSection II: Re-Centering: Theory and Practice7. Abundant Evidence: Black Women Artists of the 1960s and 1970s; 8. "Teaching to Transgress": Rita Yokoi and the Fresno Feminist Art Program; 9. Joyce Aiken: Thirty Years of Feminist Art and Pedagogy in Fresno; 10. "Your Vagina Smells Fine Now Naturally"; 11. A Collective History: Las Mujeres Muralistas; 12. The Women Artists' Cooperative Space as a Site for Social Change: Artemisia Gallery, Chicago (1973-1979); 13. Salon Women of the Second Wave: Honoring the Great Matrilineage of Creators of Culture 327 $a14. The New York Feminist Art Institute, 1979-199015. Our Journey to the New York Feminist Art Institute; Section III: Picturing: Transformation; 16. How I Became a Chicana Feminist Artist; 17. Searching for Catalyst and Empowerment: The Asian American Women Artists Association, 1989-Present; 18.Notes of a Dubious Daughter: My Unfinished Journey Toward Feminism; 19. "The Way Things Are": Curating Place as Feminist Practice in American Indian Women's Art; 20. Marginal Discourse and Pacific Rim Women's Arts; 21. Curatorial Practice as Collaboration in the United States and Italy 327 $a22. Feminist Activist Art Pedagogy: Unleashed and EngagedList of Contributors; Permission Acknowledgments; Index 330 $aIn 1970, Judy Chicago and fifteen students founded the groundbreaking Feminist Art Program (FAP) at Fresno State. Drawing upon the consciousness-raising techniques of the women's liberation movement, they created shocking new art forms depicting female experiences. Collaborative work and performance art - including the famous ""Cunt Cheerleaders"" - were program hallmarks. Moving to Los Angeles, the FAP produced the first major feminist art installation, Womanhouse (1972). Augmented by thirty-seven illustrations and color plates, this interdisciplinary collection of essays by artists 410 0$aNew directions in American history. 606 $aFeminism and art 615 0$aFeminism and art. 676 $a704/.042097309045 701 $aFields$b Jill$f1954-$01661317 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910809893403321 996 $aEntering the picture$94069936 997 $aUNINA