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200 10$aAndre Bazin's new media /$fAndre Bazin ; edited and translated by Dudley Andrew
210  1$aOakland, California :$cUniversity of California Press,$d2014.
210  4$d©2014
215   $a1 online resource (590 p.)
300   $aDescription based upon print version of record.
311   $a0-520-28356-2 
311   $a1-322-10547-2 
320   $aIncludes bibliographical references and index.
327   $tFront matter --$tContents --$tEditor's Note: About This Collection --$tIntroduction: André Bazin Meets the New Media of the 1950's --$tPART ONE. THE ONTOLOGY AND LANGUAGE OF TELEVISION --$tPART TWO. TELEVISION AMONG THE ARTS --$tPART THREE. TELEVISION AND SOCIETY --$tPART FOUR. TELEVISION AND CINEMA --$tPART FIVE. CINERAMA AND 3D --$tPART SIX. CINEMASCOPE --$tPART SEVEN. FINALE --$tAppendix: A Selective Reference Guide to 1950's French Television --$tIndex
330   $aAndré Bazin's writings on cinema are among the most influential reflections on the medium ever written. Even so, his critical interests ranged widely and encompassed the "new media" of the 1950's, including television, 3D film, Cinerama, and CinemaScope. Fifty-seven of his reviews and essays addressing these new technologies-their artistic potential, social influence, and relationship to existing art forms-have been translated here for the first time in English with notes and an introduction by leading Bazin authority Dudley Andrew. These essays show Bazin's astute approach to a range of visual media and the relevance of his critical thought to our own era of new media. An exciting companion to the essential What Is Cinema? volumes, André Bazin's New Media is excellent for classroom use and vital for anyone interested in the history of media.
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