LEADER 03629nam 2200553 450 001 9910809782003321 005 20230803213930.0 010 $a1-78320-167-3 010 $a1-78320-166-5 035 $a(CKB)3710000000552135 035 $a(EBL)4307301 035 $a(MiAaPQ)EBC4307301 035 $a(Au-PeEL)EBL4307301 035 $a(CaPaEBR)ebr11138066 035 $a(CaONFJC)MIL884514 035 $a(OCoLC)935256311 035 $a(EXLCZ)993710000000552135 100 $a20160119d2014 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aTechnology and desire $ethe transgressive art of moving images /$fedited by Rania Gaafar and Martin Schulz 210 1$aBristol :$cIntellect,$d2014. 215 $a1 online resource (444 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-461-0 320 $aIncludes bibliographical references. 327 $aCover; Half Title; Title; Copyright; Table of Contents; Acknowledgements; Introduction: Post-medial Technologies of Desire: Performances of Images; Prelude: Much Trouble in the Transportation of Souls, or the Sudden Disorganization of Boundaries; PART I: Post-Medial Image Cultures and New Media Philosophies; Chapter 1: Technical Repetition and Digital Art, or Why the 'Digital' in Digital Cinema is not the 'Digital' in Digital Technics; Chapter 2: Arrest and Movement; Chapter 3: The Aesthetics of Flow and the Aesthetics of Catharsis; Chapter 4: Digital Images and Computer Simulations 327 $aChapter 5: Enfolding-Unfolding Aesthetics, or the Unthought at the Heart of WoodPART II: Fugitive Images and Transmediality; Chapter 6: Animated and Animating Landscapes: Space Voyages and Time Travel in the Art of Pieter Bruegel the Elder; Colour Plates; Chapter 7: Copernicus and I: Revolutions in Perception and The Powers of Ten; Chapter 8: Cinema Mise en abyme: Contingencies of the Moving Image; Chapter 9: Still Life in the Crosshairs, or For an Iconic Turn in Game Studies; Chapter 10: Out of Image; PART III: Post-Cinematic Desires: Genealogies of Anthropomorphic Transgressions 327 $aChapter 11: Choreographing the Moving Image: Post-Cinematic Desire and the Politics of AestheticsChapter 12: Desire, Time and Transition in Anthropological Film-making; Chapter 13: Longing in Film: Emotions in Images; Chapter 14: The Fever Curve of the Gaze and the Body as (Image) Medium: Jacques Lacan's Media Theory of Unconscious Desire; PART IV: Material Specters and the Lives of Images; Chapter 15: The Sequence Image Between Motion and Stillness; Chapter 16: Gaze and Withdrawal: On the 'Logic' of Iconic Structures; Chapter 17: The Magical Image in Georges Me?lie?s's Cinema 327 $aChapter 18: Liminal Spaces: Notes by Film-maker and Artist Malcolm Le GriceChapter 19: Transgression: The Ethical Turn and the New Politics - Fatih Akin's Cinema and the Multicultural Dilemma; Chapter 20: Radicant Spaces of Enunciation: Visual Art, 'Phenomenotechnique', and 'Criticality' - Towards a Postcolonial Media(l) Theory; Biographies of Authors; Back Cover 606 $aArt and technology 606 $aDigital media 606 $aComputer art 615 0$aArt and technology. 615 0$aDigital media. 615 0$aComputer art. 676 $a777 702 $aGaafar$b Rania 702 $aSchulz$b Martin 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910809782003321 996 $aTechnology and desire$94104705 997 $aUNINA