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100   $a19851111h20052005  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aWhat is cinema?$hVolume 1 /$fby Andre? Bazin ; foreword by Jean Renoir ; new foreword by Dudley Andrew ; essays selected and translated by Hugh Gray
210  1$aBerkeley :$cUniversity of California Press,$d[2005]
210  4$d©2005
215   $a1 online resource (265 p.)
300   $aDescription based upon print version of record.
311   $a1-306-07359-6 
311   $a0-520-24227-0 
320   $aIncludes bibliographical references and index.
327   $aForeword -- Contents -- Foreword to the 2004 Edition -- Introduction -- The Ontology of the Photographic Image -- The Myth of Total Cinema -- The Evolution of the Language of Cinema -- The Virtues and Limitations of Montage -- In Defense of Mixed Cinema -- Theater and Cinema Part One -- Theater and Cinema Part Two -- Le Journal d'un cure? de campagne and the Stylistics of Robert Bresson -- Charlie Chaplin -- Cinema and Exploration -- Painting and Cinema -- Sources and Translator's Notes -- Index.
330   $aAndré Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinéma, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protégé of François Truffaut, who honors him touchingly in his foreword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not."
606   $aMotion pictures
606   $aPerforming arts
610   $aaesthetics.
610   $aandre bazin.
610   $aart criticism.
610   $acahiers du cinema.
610   $acharlie chaplin.
610   $acinema.
610   $acinematography.
610   $acultural studies.
610   $adigital film.
610   $adrama.
610   $afilm and art.
610   $afilm and media.
610   $afilm criticism.
610   $afilm history.
610   $afilm movements.
610   $afilm studies.
610   $afilm theory.
610   $afilm.
610   $afilmmaking.
610   $aflim.
610   $afrench cinema.
610   $aimage culture.
610   $ajean renoir.
610   $amedia.
610   $amixed cinema.
610   $amontage.
610   $amovies.
610   $anarrative.
610   $aneorealism.
610   $anonfiction.
610   $aorson welles.
610   $aperforming arts.
610   $aphotography.
610   $aroberto rossellini.
610   $asartre.
610   $asound cinema.
610   $atechnology.
610   $atheater.
610   $atotal cinema.
610   $atruffaut.
610   $avisual culture.
615  0$aMotion pictures.
615  0$aPerforming arts.
676   $a791.43
700   $aBazin$b Andre?$f1918-1958.$0382106
701   $aAndrew$b Dudley$f1945-$0532928
701   $aGray$b Hugh$f1900-1981.$01012984
701   $aRenoir$b Jean$f1894-1979.$0215422
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910809778903321
996   $aWhat is cinema$92371966
997   $aUNINA