LEADER 03197nam 2200385 450 001 9910734340703321 005 20230801194756.0 010 $a0-472-90415-9 010 $a0-472-07179-3 010 $a9780472028917 035 $a(CKB)2560000000320735 035 $a(NjHacI)992560000000320735 035 $a(EXLCZ)992560000000320735 100 $a20230427d2013 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSounding Like a No-No $eQueer Sounds and Eccentric Acts in the Post-Soul Era /$fFrancesca T. Royster 210 1$aAnn Arbor :$cUniversity of Michigan Press,$d2013. 215 $a1 online resource 327 $aIntroduction : Eccentric performance and embodied music in the post-soul moment -- Becoming post-soul : Eartha Kitt, the Stranger, and the melancholy pleasures of racial reinvention -- Stevie Wonder's "Quare" teachings and cross-species collaboration in Journey through the secret life of plants and other songs -- "Here's a chance to dance our way out of our constrictions" : P-Funk's Black masculinity and the performance of imaginative freedom -- Michael Jackson, queer world making, and the trans erotics of voice, gender, and age -- "Feeling like a woman, looking like a man, sounding like a no-no" : Grace Jones and the performance of "Strange?" in the post-soul moment -- Funking toward the future in Meshell Ndegeocello's The world has made me the man of my dreams -- Epilogue : Janelle Mona?e's collective vision. 330 $aThis book traces a rebellious spirit in post-civil rights Black music by focusing on a range of offbeat, eccentric, queer, or slippery performances by leading musicians influenced by the cultural changes brought about by the civil rights, Black nationalist, feminist, and LGBTQ movements, who through reinvention created a repertoire of performances that have left a lasting mark on popular music. The book's readings of performers including Michael Jackson, Grace Jones, Stevie Wonder, Eartha Kitt, and Meshell Ndegeocello demonstrate how embodied sound and performance became a means for creativity, transgression, and social critique, a way to reclaim imaginative and corporeal freedom from the social death of slavery and its legacy of racism, to engender new sexualities and desires, to escape the sometimes constrictive codes of respectability and uplift from within the Black community, and to make space for new futures for their listeners. The book's perspective on music as a form of Black corporeality and identity, creativity, and political engagement will appeal to those in African American studies, popular music studies, queer theory, and Black performance studies; general readers will welcome its engaging, accessible, and sometimes playful writing style, including elements of memoir. 517 $aSounding like a no-no 606 $aSoul music 615 0$aSoul music. 676 $a780 700 $aRoyster$b Francesca T.$0689467 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910734340703321 996 $aSounding like a no-no$92755769 997 $aUNINA LEADER 02976nam 2200589 450 001 9910809679303321 005 20200520144314.0 010 $a1-4813-0346-5 010 $a1-4813-0231-0 035 $a(CKB)3710000000454634 035 $a(EBL)2110738 035 $a(SSID)ssj0001516919 035 $a(PQKBManifestationID)12574361 035 $a(PQKBTitleCode)TC0001516919 035 $a(PQKBWorkID)11501154 035 $a(PQKB)10666128 035 $a(OCoLC)915152269 035 $a(MdBmJHUP)muse37499 035 $a(Au-PeEL)EBL2110738 035 $a(CaPaEBR)ebr11081757 035 $a(CaONFJC)MIL817762 035 $a(OCoLC)915311615 035 $a(MiAaPQ)EBC2110738 035 $a(EXLCZ)993710000000454634 100 $a20140727h20142014 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDecreation $ethe last things of all creatures /$fPaul J. Griffiths 210 1$aWaco :$cBaylor University Press,$d[2014] 210 4$dİ2014 215 $a1 online resource (409 p.) 300 $aDescription based upon print version of record. 311 $a1-4813-0229-9 320 $aIncludes bibliographical references (pages 361-384) and index. 327 $aCover; Half Title Page, Title Page, Copyright, Dedication, Epigraphs; Contents; Preface and Acknowledgments; Part I. The Grammar of the Last Things; 1 Lexicon ; 2 Last Things Defined ; 3 Annihilation: The First Last Thing; 4 Simple Stasis: The Second Last Thing; 5 Repetitive Stasis: The Third Last Thing; 6 Epektasy: Denying Last Things; 7 Iconicity: Representing Last Things; Part II. Doctrine about Last Things; 8 Theology and Last Things ; 9 Doctrine and Last Things; 10 The Doctrinal Schema; 11 The Narrative Arc; 12 Patterns of Thought; Part III. Timespace; 13 The LORD's Eternity 327 $a14 The Chronic Temporality of Creatures15 Time Damaged: Metronome; 16 Time Healed: Liturgy, Systole, Fold; Part IV. Angels; 17 Thinking about Angels; 18 What Angels Are; 19 Angelic Fall; 20 Angelic Last Things; Part V: Humans; 21 Human Flesh; 22 The Discarnate Intermediate State; 23 Human Last Things (1): Annihilation; 24 Human Last Things (2): Heaven; 25 Hell Reconstrued; 26 The Church's Last Thing; Part VI. Plants, Animals, Inanimate Creatures; 27 Plants and Animals; 28 The Last Things of Plants and Animals; 29 Inanimate Creatures; 30 The Last Things of Inanimate Creatures 327 $aPart VII. The Last Things in the Devastation31 Opus Domini; 32 Trembling; 33 Delight; 34 Lament; 35 Quietus; Part VIII. Bibliography; 36 Bibliographic Essays; 37 Bibliographic List; Index 330 $aThe End of All Things 606 $aEschatology 615 0$aEschatology. 676 $a236 700 $aGriffiths$b Paul J.$0994255 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910809679303321 996 $aDecreation$94009424 997 $aUNINA