LEADER 04536nam 2200661 450 001 9910809667003321 005 20230807221328.0 010 $a3-11-044795-9 010 $a3-11-044806-8 024 7 $a10.1515/9783110448061 035 $a(CKB)3710000000455836 035 $a(EBL)2130147 035 $a(SSID)ssj0001530007 035 $a(PQKBManifestationID)12628791 035 $a(PQKBTitleCode)TC0001530007 035 $a(PQKBWorkID)11536302 035 $a(PQKB)10969490 035 $a(MiAaPQ)EBC2130147 035 $a(DE-B1597)457904 035 $a(OCoLC)918623404 035 $a(DE-B1597)9783110448061 035 $a(Au-PeEL)EBL2130147 035 $a(CaPaEBR)ebr11088060 035 $a(CaONFJC)MIL819051 035 $a(EXLCZ)993710000000455836 100 $a20150818h20152015 uy 0 101 0 $aeng 135 $aurun#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$a3D and animated lenticular photography $ebetween Utopia and entertainment /$fKim Timby 210 1$aBerlin, [Germany] ;$aBoston, [Massachusetts] :$cDe Gruyter,$d2015. 210 4$d©2015 215 $a1 online resource (306 p.) 225 1 $aStudies in Theory and History of Photography ;$vVolume 5 300 $aDescription based upon print version of record. 311 $a3-11-041306-X 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tCONTENTS --$tACKNOWLEDGEMENTS --$tINTRODUCTION --$tChapter 1: Stereoscopy without a Stereoscope --$tChapter 2: Cinema in a Single Photo --$tChapter 3: A Window onto the World --$tChapter 4: 3D Portraiture and the Integral-Image Utopia --$tChapter 5: Lights, Color, Action! Point-of-Sale Advertising --$tChapter 6: A Lenticular Image in Every Home: Promotional Premiums --$tChapter 7: The 3D Postcard --$tChapter 8: The Limits of Lenticular Photography --$tConclusion --$tNotes --$tIndex 330 $aDie bedeutende kulturelle Rolle der Fotografie und die Vielfalt fotografischer Praxis stehen zunehmend im Fokus wissenschaftlicher Studien. Die Publikation leistet einen Beitrag zu dieser neuen Fotografiegeschichte, indem sie sich jenen Bildern widmet, die dadurch den Eindruck belebter Dreidimensionalität erwecken, dass sie bewegt werden. Auf der Grundlage von Fallstudien werden diese Linsenraster- oder Lentikularbilder und ihre Verwendung in Wissenschaft und Popkultur untersucht.Die Motive, die die Neuentdeckung und Entwicklung dieser Technologie seit dem beginnenden 20. Jahrhundert vorwärts gebracht haben, werfen ein neues Licht auf unser Verhältnis zum fotografischen Realismus. Sie erhellen das Zusammenspiel von technischer Innovation und dem Verlangen nach Unterhaltung in der Fotografie. 330 $aScholars are increasingly investigating photography?s broad cultural role, expanding our understanding of the diversity of photographic practices. Kim Timby contributes to this new history of photography by examining the multifaceted story of images that animate with a flick of the wrist or appear vividly three-dimensional without the use of special devices?both made possible by the lenticular process. Using French case studies, this volume broadly weaves 3D and animated lenticular imagery into scientific and popular culture, from early cinema and color reproduction to the birth of modern advertising and the market for studio portraits, postcards, and religious imagery. The motivations behind the invention and reinvention of this pervasive form of imagery, from the turn of the twentieth century through the end of the pre-digital era, shed new light on our relationship to photographic realism and on the forceful interplay in photography between technological innovation and the desire to be entertained. 3D and Animated Lenticular Photography: Between Utopia and Entertainment is a profusely illustrated and engaging interdisciplinary study of a wide-ranging body of images that have fascinated viewers for generations. 410 0$aStudies in theory and history of photography ;$vVolume 5. 606 $aPhotography, Stereoscopic 606 $aImage processing 606 $aPattern perception 615 0$aPhotography, Stereoscopic. 615 0$aImage processing. 615 0$aPattern perception. 676 $a778.4 700 $aTimby$b Kim$01147133 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910809667003321 996 $a3D and animated lenticular photography$94116955 997 $aUNINA