LEADER 05569nam 2200685 a 450 001 9910809652203321 005 20240405013941.0 010 $a94-6166-054-5 035 $a(CKB)2670000000079852 035 $a(EBL)1762989 035 $a(SSID)ssj0000530946 035 $a(PQKBManifestationID)11337724 035 $a(PQKBTitleCode)TC0000530946 035 $a(PQKBWorkID)10571101 035 $a(PQKB)10328243 035 $a(MiAaPQ)EBC1762989 035 $a(OCoLC)652222443 035 $a(MdBmJHUP)muse29532 035 $a(Au-PeEL)EBL1762989 035 $a(CaPaEBR)ebr10452837 035 $a(OCoLC)887504328 035 $a(EXLCZ)992670000000079852 100 $a20080821d2008 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 00$aCui dono lepidum novum libellum? $ededicating Latin works and motets in the sixteenth century /$fedited by Ignace Bossuyt ... [et al.] 205 $a1st ed. 210 $aLeuven $cLeuven University Press$d2008 215 $a1 online resource (332 p.) 225 1 $aSupplementa humanistica Lovaniensia,$x0775-1117 ;$v23 300 $a"Proceedings of the international conference held at the Academia Belgica, Rome, 18-20 August, 2005." 311 $a90-5867-669-2 320 $aIncludes bibliographical references and indexes. 327 $aCUI DONO LEPIDUM NOVUM LIBELLUM?; CONTENTS; FOREWORD; INTRODUCTION THE DEDICATION AS PARATEXT; "VOBIS PAGINA NOSTRA DEDICATUR" DEDICATION IN CLASSICAL ANTIQUITY; Introduction; Ways to dedicate; Dedications and addressees; Themes and topoi; APPENDIXDE DICATIONS IN CLASSICAL TEXTS; RECIPROCAL AUTHORISATION: THE FUNCTION OF DEDICATIONS AND DEDICATORY PREFACES IN THE 15TH- AND 16TH-CENTURY 'ARTES ANTIQUITATIS'; "ERGO CAPE ET CANTA SANCTOS QUOS FECIMUS HYMNOS" PRELIMINARIES IN SIXTEENTH-CENTURY MOTET EDITIONS BY COMPOSERS FROM THE LOW COUNTRIES; The corpus; Presence and language preliminaries 327 $aThe case of reprints Use of different forms of paratexts; Authors of the dedication letters; Conclusion; APPENDIX OF QUOTED EDITIONS; READING (BETWEEN) THE LINES: WHAT DEDICATIONS CAN TELL US; Reading the lines: the facts in the texts; Reading between the lines: the functioning of the dedication; DEDICATING MUSIC MANUSCRIPTS: ON FUNCTION AND FORM OF PARATEXTS IN FIFTEENTH- AND SIXTEENTH-CENTURY SOURCES; APPENDIX DEDICATIONS AND INSCRIPTIONS IN MUSIC MANUSCRIPTS OF THE SIXTEENTH CENTURY; 1. Modena, Biblioteca Estense, MS a.F.9.9 [1496] 327 $a2. Florence, Biblioteca Medicea-Laurenziana, Nuovi acquisti 666 (Medici Codex), fol. Iv-1r [1518]3. Munich, Bayerische Staatsbibliothek, Mus. Ms. 10, fol. 1r [1520's]; 4. Biblioteca Apostolica Vaticana, MS Capp. Sist. 163, fol. 2v [1525]; 5. Munich, Bayerische Staatsbibliothek (D-Mbs), Mus. Ms. 38, fol. 1r [1531]; 6. Biblioteca Apostolica Vaticana, MS Capp. Sist. 11, fol. 97v [1539]; 7. Biblioteca Apostolica Vaticana, MS Capp. Sist. 9, fol. 110v [1545]; 8. Munich, Bayerische Staatsbibliothek, Mus. Ms. A [Lassus Prachtkodex], p. 1 [1560's] 327 $a"TO THE BENEVOLENT READER..." DEDICATIONS ATTACHED TO EDITIONS OF NEO-LATIN PLAYS IN THE NETHERLANDS OF THE 16TH AND THE 17TH CENTURY - FORMS, FUNCTIONS AND RELIGIOUS STANDPOINTS *Introduction; Dedications and prefaces; Dedications; General background; The dedicatees; The content of dedications; Dedications in collections of dramas; Final remarks; "AEQUABIT LAUDES NULLA CAMENA TUAS" POETRY AND MUSIC IN LATIN LAUDATORY MOTETS*; CONSTRUCTING THE IMAGE OF A HUMANIST SCHOLAR. LATIN DEDICATIONS IN HUNGARY AND THE USE OF ADAGES (1460-1525) 327 $aBEYOND THE MUSIC-THEORETICAL DISCOURSE IN FRANCHINO GAFFURIO'S TRILOGY: THE SIGNIFICANCE OF THE PARATEXTS IN CONTEMPLATING THE MAGIC TRIANGLE BETWEEN AUTHOR, OPUS, AND AUDIENCE"ACCIPE NON NOTI PRAECLARIA VOLUMINA MUNDI" LES DE?DICACES DU DE ORBE NOVO DE PIERRE MARTYR D'ANGHIERA; Nature des de?dicaces et statut des de?dicataires; Des de?dicaces aux fonctions traditionnelles; Une carte d'identite? de l'oeuvre; ANNEXE Les de?dicaces du De Orbe Nouo de Pierre Martyr d'Anghiera; DE?DICACES ET INSCRIPTIONS LATINES DANS LES LIVRES DE MUSIQUE POUR VIHUELA (1536-1576); Les de?dicaces; El Maestro; El Parnaso 327 $aLes emble?mes 330 $aDuring the sixteenth century, the traditional act of dedicating a text took on a new meaning due to the wider dissemination of the printed book. As the dedication and other paratexts thus became an almost indispensable part of the publication, they merit careful examination by those who study the presentation and impact of any printed work in its context. Paratexts bridge the gap between the outside World of the reading public and the enclosed world of the book, and often present biographical information concerning the persons involved in the making of the book. In the present volume, general 410 0$aSupplementa humanistica Lovaniensia ;$v23. 606 $aDedications$vCongresses 606 $aLatin literature, Medieval and modern$vCongresses 606 $aMotets$y16th century$xHistory and criticism 615 0$aDedications 615 0$aLatin literature, Medieval and modern 615 0$aMotets$xHistory and criticism. 676 $a808.02 701 $aBossuyt$b Ignace$01611835 712 02$aAcademia Belgica (Rome, Italy) 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910809652203321 996 $aCui dono lepidum novum libellum$94117523 997 $aUNINA