LEADER 04129nam 2200541 450 001 9910809584803321 005 20230808193251.0 010 $a1-78284-345-0 010 $a1-78284-343-4 035 $a(CKB)3710000000685634 035 $a(EBL)4530012 035 $a(SSID)ssj0001672264 035 $a(PQKBManifestationID)16469922 035 $a(PQKBTitleCode)TC0001672264 035 $a(PQKBWorkID)14878864 035 $a(PQKB)11595228 035 $a(MiAaPQ)EBC4530012 035 $a(EXLCZ)993710000000685634 100 $a20160608h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe discovery of El Greco $ethe nationalization of culture versus the rise of modern art (1860-1914) /$fEric Storm ; translated from the Dutch by Marjolijn de Jager 210 1$aEastbourne, England :$cSussex Academic Press,$d2016. 210 4$dİ2016 215 $a1 online resource (238 p.) 300 $aDescription based upon print version of record. 311 $a1-84519-744-5 320 $aIncludes bibliographical references and index. 330 $a"Originally published in Dutch and translated to Spanish for the fourth centenary celebration of the death of El Greco in 2014, this book is a comprehensive study of the rediscovery of El Greco - seen as one of the most important events of its kind in art history. The Nationalization of Culture versus the Rise of Modern Art analyzes how changes in artistic taste in the second half of the nineteenth century caused a profound revision of the place of El Greco in the artistic canon. This study examines the work of painters, art critics, writers, scholars and philosophers from France, Germany and Spain, and the role of exhibitions, auctions, monuments and commemorations. Paintings and associated anecdotes are discussed, and historical debates such as El Greco's supposed astigmatism are addressed in a highly readable and engaging style. This book will be of interest to both specialists and the interested art public"--$cProvided by publisher. 330 $a"Originally published in Dutch and translated to Spanish for the fourth centenary celebration of the death of El Greco in 2014, this book is a comprehensive study of the rediscovery of El Greco - seen as one of the most important events of its kind in art history. The Nationalization of Culture versus the Rise of Modern Art analyzes how changes in artistic taste in the second half of the nineteenth century caused a profound revision of the place of El Greco in the artistic canon. As a result, El Greco was transformed from an extravagant outsider and a secondary painter into the founder of the Spanish School and one of the principle predecessors of modern art, increasingly related to that of the Impressionists - due primarily to the German critic Julius Meier-Graefe's influential History of Modern Art (1914). This shift in artistic preference has been attributed to the rise of modern art but Eric Storm, a cultural historian, shows that in the case of El Greco nationalist motives were even more important. This study examines the work of painters, art critics, writers, scholars and philosophers from France, Germany and Spain, and the role of exhibitions, auctions, monuments and commemorations. Paintings and associated anecdotes are discussed, and historical debates such as El Greco's supposed astigmatism are addressed in a highly readable and engaging style. This book will be of interest to both specialists and the interested art public"--$cProvided by publisher. 606 $aAesthetics, European$y19th century 606 $aNationalism and art$zEurope$xHistory$y19th century 615 0$aAesthetics, European 615 0$aNationalism and art$xHistory 676 $a759.6 686 $aART037000$aART015100$2bisacsh 700 $aStorm$b Eric$f1966-$01685533 702 $aDe Jager$b Marjolijn 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910809584803321 996 $aThe discovery of El Greco$94057751 997 $aUNINA