LEADER 02979nam  2200601Ia 450 
001 9910809569803321
005 20200520144314.0
010   $a1-282-50591-2
010   $a9786612505911
010   $a1-4399-0091-4
035   $a(CKB)2550000000005028
035   $a(EBL)449816
035   $a(OCoLC)607553992
035   $a(SSID)ssj0000364102
035   $a(PQKBManifestationID)11262309
035   $a(PQKBTitleCode)TC0000364102
035   $a(PQKBWorkID)10394742
035   $a(PQKB)10691630
035   $a(OCoLC)966912388
035   $a(MdBmJHUP)muse54343
035   $a(Au-PeEL)EBL449816
035   $a(CaPaEBR)ebr10367654
035   $a(CaONFJC)MIL250591
035   $a(MiAaPQ)EBC449816
035   $a(EXLCZ)992550000000005028
100   $a20090325d2010      uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aOye como va!$b[electronic resource] $ehybridity and identity in Latino popular music /$fDeborah Pacini Hernandez
210   $aPhiladelphia $cTemple University Press$dc2010
215   $a1 online resource (238 p.)
300   $aDescription based upon print version of record.
311   $a1-4399-0090-6 
311   $a1-4399-0089-2 
320   $aIncludes bibliographical references and index.
327   $aContents; Preface; 1 Introduction: Hybridity, Identity, and Latino Popular Music; 2 Historical Perspectives on Latinos and the Latin Music Industry; 3 To Rock or Not to Rock: Cultural Nationalism and Latino Engagement with Rock 'n' Roll; 4 Turning the Tables: Musical Mixings, Border Crossings, and New Sonic Circuitries; 5 New Immigrants, New Layerings: Tradition and Transnationalism in U.S. Dominican Popular Music; 6 From Cumbia Colombiana to Cumbia Cosmopolatina: Roots, Routes, Race, and Mestizaje; 7 Marketing Latinidad in a Global Era; Notes; Selected Bibliography; Index
330   $aListen Up! When the New York-born Tito Puente composed ""Oye Como Va!"" in the 1960's, his popular song was called ""Latin"" even though it was a fusion of Afro-Cuban and New York Latino musical influences. A decade later, Carlos Santana, a Mexican immigrant, blended Puente's tune with rock and roll, which brought it to the attention of national audiences. Like Puente and Santana, Latino/a musicians have always blended musics from their homelands with other sounds in our multicultural society, challenging ideas of what ""Latin"" music is or ought to be. Waves of immigrants...
606   $aHispanic Americans$vMusic$xSocial aspects
606   $aPopular music$xSocial aspects$zUnited States
615  0$aHispanic Americans$xSocial aspects.
615  0$aPopular music$xSocial aspects
676   $a781.64089/68073
700   $aPacini Hernandez$b Deborah$01702399
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910809569803321
996   $aOye como va$94117866
997   $aUNINA