LEADER 03150nam 2200601 450 001 9910809549403321 005 20240229100427.0 010 $a94-6166-173-8 035 $a(CKB)3710000000400023 035 $a(EBL)2025398 035 $a(SSID)ssj0001502623 035 $a(PQKBManifestationID)11918791 035 $a(PQKBTitleCode)TC0001502623 035 $a(PQKBWorkID)11455129 035 $a(PQKB)11387343 035 $a(MiAaPQ)EBC2025398 035 $a(OCoLC)908073129 035 $a(MdBmJHUP)muse46571 035 $a(Au-PeEL)EBL2025398 035 $a(CaPaEBR)ebr11050074 035 $a(EXLCZ)993710000000400023 100 $a20150512h20152015 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aWhat is a cadence? $etheoretical and analytical perspectives on cadences in the classical repertoire /$fMarkus Neuwirth and Pieter Berge? (eds) 210 1$aLeuven [Belgium] :$cLeuven University Press,$d[2015] 210 4$dİ2015 215 $a1 online resource (346 p.) 300 $aDescription based upon print version of record. 311 $a94-6270-015-X 320 $aIncludes bibliographical references and index. 327 $aIntroduction:What Is a Cadence?; Harmony and Cadence in Gjerdingen's "Prinner"; Beyond 'Harmony': The Cadence in the Partitura Tradition; The Half Cadence and Related Analytic Fictions; Fuggir la Cadenza, or The Art of Avoiding Cadential Closure; The Mystery of the Cadential Six-Four; The Mozartean Half Cadence; "Hauptruhepuncte des Geistes": Punctuation Schemas and the Late-Eighteenth-Century Sonata; The Perception of Cadential Closure; Towards a Syntax of the Classical Cadence; List of Contributors; Index 330 $aThe concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical, psychological (experimental), as well as linguistic. Each of these essays challenges, in one way or another, our common notion of cadence. Controversial viewpoints between the essays are highlighted by numerous cross-references. Given the ubiquity of cadences in tonal music in general, this volume is aimed not only at a broad portion of the academic community, scholars and students alike, but also at music performers. 606 $aCadences (Music) 606 $aMusic$xHistory and criticism 606 $aMusic theory 615 0$aCadences (Music) 615 0$aMusic$xHistory and criticism. 615 0$aMusic theory. 676 $a780 676 $a781.2 702 $aNeuwirth$b Markus 702 $aBerge?$b Pieter 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910809549403321 996 $aWhat is a cadence$94089799 997 $aUNINA