LEADER 01042nam0-22003611i-450- 001 990007877380403321 005 20080506113928.0 010 $a88-02-05962-4 020 $aIT$b2003-2726 035 $a000787738 035 $aFED01000787738 035 $a(Aleph)000787738FED01 035 $a000787738 100 $a20040430d2002----km-y0itay50------ba 101 2 $aita$agrc 102 $aIT 105 $abcfha---001cy 200 1 $aAnabasi$fdi Senofonte$ga cura di Fiorenza Bevilacqua 210 $aTorino$cUTET$dc2002 215 $a733 p., [5] p. di tav.$cill. in b. e n.$d24 cm 225 1 $aClassici greci 307 $aRil. in tela 500 10$aAnabasis$m$917569 676 $a935.05$v19$zita 700 0$aXenophon$f<427/26- ca. 353 a. C.>$075253 702 1$aBevilacqua,$bFiorenza 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990007877380403321 952 $aP2B-600-UTET-XENOPH.-406A-2002$bBibl. 48723$fFLFBC 959 $aFLFBC 996 $aAnabasis$917569 997 $aUNINA LEADER 05948nam 2200841z 450 001 9910809509603321 005 20260904000659.0 010 $a1-118-51505-6 010 $a1-118-51507-2 010 $a1-118-51510-2 010 $a1-118-51506-4 010 $a9781118515068 035 $a(CKB)2550000001163187 035 $a(EBL)1498517 035 $a(SSID)ssj0001173516 035 $a(PQKBManifestationID)11638953 035 $a(PQKBTitleCode)TC0001173516 035 $a(PQKBWorkID)11104546 035 $a(PQKB)11043842 035 $a(Au-PeEL)EBL1498517 035 $a(CaPaEBR)ebr10804825 035 $a(Au-PeEL)EBL4035989 035 $a(CaPaEBR)ebr11110763 035 $a(CaONFJC)MIL545325 035 $a(PPN)188041516 035 $a(ODN)ODN0001440954 035 $a(maruzen)3000131754 035 $a(MiAaPQ)EBC1498517 035 $a(OCoLC)861559787 035 $a(JP-MeL)3000131754 035 $a(UkBuK)971723 035 $a(EXLCZ)992550000001163187 100 $a20260512d2013 ||| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 02$aA companion to modern African art /$fedited by Gitti Salami and Monica Blackmun Visonà 205 $aFirst edition. 210 1$cWiley$d2013 215 $a1 online resource (650 p.) 225 0 $6880-03$aWiley Blackwell companions to art history 300 $aIncludes bibliographical references and index 311 08$a1-4443-3837-4 311 08$a1-306-14074-9 311 08$a9781444338379 320 $aIncludes bibliographical references and index. 327 $aA Companion to Modern African Art; Copyright; Contents; List of Figures; Notes on Contributors; Acknowledgments; Part I Introduction; 1 Writing African Modernism into Art History; Narrations of Modernism and Modernity; Centering Narratives on Africa's Art Worlds; Chapter Overview; Lacunae and Disjunctures; Notes; References; Part II "Africa Has Always Been Modern"; 2 Local Transformations, Global Inspirations: The Visual Histories and Cultures of Mami Wata Arts in Africa; Sacred Waters: Ancient and Indigenous Arts for African Water Deities 327 $aAfro-Mami Meets Euro-Mermaid: A Fifteenth-Century Sapi SynthesisThe Mermaid: A Floating Signifier; The Double-Tailed Mermaid in the Art of Benin; Mami Wata and the Image of the Snake Charmer; The Snake Charmer as Mami Wata in Africa; Mami Wata and Hindu Gods and Goddesses; Communicating with Mami Wata: Writing, Reflecting, Calling; Troubled Waters: From Saint to Sinner; Notes; References; Part III Art in Cosmopolitan Africa: The Nineteenth Century; 3 Loango Coast Ivories and the Legacies of Afro-Portuguese Arts; Hybrids at Hello; Contact and Catastrophe; Afro-Portuguese Ivories 327 $aThe Loango Ivories"Authenticity": Drawing the Line; Pointed Imagery; More Animal Tales; Double-Take; Notes; References; 4 Roots and Routes of African Photographic Practices: From Modern to Vernacular Photography in West and Central Africa (1850-1980); "COME ONE! COME ALL! and secure the shadow ere it fades"; Toward a History of Photography in West and Central Africa; Pioneer Photographers and Their Customers along the West and Central African Coasts; From Monrovia to Libreville: The Careers of Several African Pioneer Photographers 327 $aThe Democratization of Photography: The Case of Fumban, CameroonNotes; References; 5 At Home in the World: Portrait Photography and Swahili Mercantile Aesthetics; "Modernity" in African Art History; Challenging "Modernity" and "Place" on the Swahili Coast; Photography and the Colonial Moment; A Swahili Culture of Things; Portrait Photographs as Objects; Modernity on the Edge; Notes; References; 6 African Reimaginations: Presence, Absence, and New Way Architecture; The Scenario for a New History of the Modern; The Palace and the Mosque; Lacuna and History; Removals and Reinstallations 327 $aInvisibility and DifferenceLast Word: The Lines of a Future Argument; Notes; References; Part IV Modernities and Cross-Cultural Encounters in Arts of the Early Twentieth Century; 7 "One of the Best Tools for Learning": Rethinking the Role of 'Abduh's Fatwa in Egyptian Art History; Introduction; Art, Islam, and the Imam; An Insightful Traveler's Observations; "And They Do Not Spare Any Effort in Preserving These Things"; Al-Suwar wa-l-Tamathil: A Fatwa without Fine Arts; Between the Educational and the Legal; The Fatwa's Five Parts; Conclusion; Notes; References 327 $a8 Congolese and Belgian Appropriations of the Colonial Era: The Commissioned Work of Tshelantende (Djilatendo) and Its Reception 330 $aOffering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across AfricaIncludes original and previously unpublished fieldwork-based materialFeatures new and complex theoretical arguments about the nature of modernity an 410 0$aBlackwell companions to art history ;$v6. 606 $6880-04/$1$aArt, African -- 20th century 606 $6880-05/$1$aArt, African -- 19th century 606 $6880-06/$1$aArt, African -- 21st century 615 0$aArt, African -- 20th century 615 0$aArt, African -- 19th century 615 0$aArt, African -- 21st century 676 $a704.03 676 $a704.0396073 686 $a702.4$2njb/09 686 $a709.6$2njb/09 700 $aSalami$b Gitti$4edt 702 $aVisona$b Monica Blackmun$4edt 801 1$bJP-MeL 906 $aBOOK 912 $a9910809509603321 996 $aA companion to modern African Art$94098735 997 $aUNINA