LEADER 02951nam 2200505 450 001 9910433254003321 005 20211214195614.0 010 $a3-16-156656-4 024 8 $ahttps://doi.org/10.1628/978-3-16-156656-1 035 $a(CKB)4100000006669480 035 $a(MiAaPQ)EBC5508139 035 $a(ScCtBLL)8d6fd6f1-2314-41aa-987a-f35b350f172b 035 $a27700 035 $a(EXLCZ)994100000006669480 100 $a20180928d2012 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aCommon principles of European intellectual property law /$fedited by Ansgar Ohly 205 $a1. Aufl. 210 1$aTu?bingen :$cMohr Siebeck,$d[2012] 210 4$d©2012 215 $a1 online resource (viii, 272 pages) $cillustrations 225 1 $aGeistiges Eigentum und Wettbewerbsrecht ;$v62 300 $aPapers presented at the conference held on 20-21 November 2009, organized by the steering group and the members of the Bayreuth DFG graduate school "Intellectual Property and the Public Domain." 311 $a3-16-151826-8 330 $aIntellectual property law has been harmonized by EU law to a considerable extent. At the same time intellectual property rights have converged. The academic discussion has not kept pace with this development. European intellectual property law is often seen through the spectacles of national law; pan-European discussions about issues of Community law seem to be the exception rather than the rule. The contributors to this volume investigate if and to what extent European rules and principles applicable to all intellectual property rights already exist or whether they can be found on the basis of the acquis communautaire and comparative law. In particular, they discuss the merits and the methodology of common principles before turning to several areas of substantive intellectual property law such as grounds of protection, secondary liability and exceptions, to enforcement and finally to the relationship between intellectual property and neighbouring areas of EU law. 410 0$aGeistiges Eigentum und Wettbewerbsrecht ;$v62. 606 $aIntellectual property$zEuropean Union countries$vCongresses 606 $aIntellectual property$zEurope$vCongresses 608 $aElectronic books. 610 00$aGeistiges Eigentum$aRechtsvergleich$aEU-Recht$aHarmonisierung des Privat- bzw. W$aHandels- und Gesellschaftsrecht, Wirtschaftsrecht, Steuerrecht$aInternationales Privatrecht, Ausländisches Recht, Rechtsvergleichung 615 0$aIntellectual property 615 0$aIntellectual property 676 $a341.7582094 702 $aOhly$b Ansgar 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910433254003321 996 $aCommon principles of European intellectual property law$92066610 997 $aUNINA LEADER 05932nam 22008651 450 001 9910809509603321 005 20250428225433.0 010 $a9781118515051 010 $a1118515056 010 $a9781118515075 010 $a1118515072 010 $a9781118515105 010 $a1118515102 010 $a9781118515068 010 $a1118515064 035 $a(CKB)2550000001163187 035 $a(EBL)1498517 035 $a(SSID)ssj0001173516 035 $a(PQKBManifestationID)11638953 035 $a(PQKBTitleCode)TC0001173516 035 $a(PQKBWorkID)11104546 035 $a(PQKB)11043842 035 $a(Au-PeEL)EBL1498517 035 $a(CaPaEBR)ebr10804825 035 $a(Au-PeEL)EBL4035989 035 $a(CaPaEBR)ebr11110763 035 $a(CaONFJC)MIL545325 035 $a(MiAaPQ)EBC1498517 035 $a(OCoLC)861559787 035 $a(MiAaPQ)EBC4035989 035 $a(PPN)188041516 035 $a(EXLCZ)992550000001163187 100 $a20131026d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 02$aA companion to modern African Art /$fedited by Gitti Salami and Monica Blackmun Visona 205 $aFirst edition. 210 1$aChichester, West Sussex :$cWiley Blackwell,$d2013. 215 $a1 online resource (650 p.) 225 1 $aWiley Blackwell companions in art history ;$v6 300 $aDescription based upon print version of record. 311 08$a9781444338379 311 08$a1444338374 311 08$a9781306140744 311 08$a1306140749 320 $aIncludes bibliographical references and index. 327 $aA Companion to Modern African Art; Copyright; Contents; List of Figures; Notes on Contributors; Acknowledgments; Part I Introduction; 1 Writing African Modernism into Art History; Narrations of Modernism and Modernity; Centering Narratives on Africa's Art Worlds; Chapter Overview; Lacunae and Disjunctures; Notes; References; Part II "Africa Has Always Been Modern"; 2 Local Transformations, Global Inspirations: The Visual Histories and Cultures of Mami Wata Arts in Africa; Sacred Waters: Ancient and Indigenous Arts for African Water Deities 327 $aAfro-Mami Meets Euro-Mermaid: A Fifteenth-Century Sapi SynthesisThe Mermaid: A Floating Signifier; The Double-Tailed Mermaid in the Art of Benin; Mami Wata and the Image of the Snake Charmer; The Snake Charmer as Mami Wata in Africa; Mami Wata and Hindu Gods and Goddesses; Communicating with Mami Wata: Writing, Reflecting, Calling; Troubled Waters: From Saint to Sinner; Notes; References; Part III Art in Cosmopolitan Africa: The Nineteenth Century; 3 Loango Coast Ivories and the Legacies of Afro-Portuguese Arts; Hybrids at Hello; Contact and Catastrophe; Afro-Portuguese Ivories 327 $aThe Loango Ivories"Authenticity": Drawing the Line; Pointed Imagery; More Animal Tales; Double-Take; Notes; References; 4 Roots and Routes of African Photographic Practices: From Modern to Vernacular Photography in West and Central Africa (1850-1980); "COME ONE! COME ALL! and secure the shadow ere it fades"; Toward a History of Photography in West and Central Africa; Pioneer Photographers and Their Customers along the West and Central African Coasts; From Monrovia to Libreville: The Careers of Several African Pioneer Photographers 327 $aThe Democratization of Photography: The Case of Fumban, CameroonNotes; References; 5 At Home in the World: Portrait Photography and Swahili Mercantile Aesthetics; "Modernity" in African Art History; Challenging "Modernity" and "Place" on the Swahili Coast; Photography and the Colonial Moment; A Swahili Culture of Things; Portrait Photographs as Objects; Modernity on the Edge; Notes; References; 6 African Reimaginations: Presence, Absence, and New Way Architecture; The Scenario for a New History of the Modern; The Palace and the Mosque; Lacuna and History; Removals and Reinstallations 327 $aInvisibility and DifferenceLast Word: The Lines of a Future Argument; Notes; References; Part IV Modernities and Cross-Cultural Encounters in Arts of the Early Twentieth Century; 7 "One of the Best Tools for Learning": Rethinking the Role of 'Abduh's Fatwa in Egyptian Art History; Introduction; Art, Islam, and the Imam; An Insightful Traveler's Observations; "And They Do Not Spare Any Effort in Preserving These Things"; Al-Suwar wa-l-Tamathil: A Fatwa without Fine Arts; Between the Educational and the Legal; The Fatwa's Five Parts; Conclusion; Notes; References 327 $a8 Congolese and Belgian Appropriations of the Colonial Era: The Commissioned Work of Tshelantende (Djilatendo) and Its Reception 330 $aOffering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across AfricaIncludes original and previously unpublished fieldwork-based materialFeatures new and complex theoretical arguments about the nature of modernity an 410 0$aBlackwell companions to art history ;$v6. 606 $aArt, African$y20th century 606 $aArt, African$y19th century 606 $aArt, African$y21st century 615 0$aArt, African 615 0$aArt, African 615 0$aArt, African 676 $a704.03 676 $a704.0396073 686 $aLO 90850$2rvk 701 $aSalami$b Gitti$01709182 701 $aVisona?$b Monica Blackmun$f1953-$01709183 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910809509603321 996 $aA companion to modern African Art$94098735 997 $aUNINA