LEADER 03488nam 2200601 450 001 9910809485403321 005 20230803204309.0 010 $a94-012-1099-3 024 7 $a10.1163/9789401210997 035 $a(CKB)3710000000221424 035 $a(EBL)1696765 035 $a(SSID)ssj0001350963 035 $a(PQKBManifestationID)11813386 035 $a(PQKBTitleCode)TC0001350963 035 $a(PQKBWorkID)11296650 035 $a(PQKB)10020311 035 $a(MiAaPQ)EBC1696765 035 $a(OCoLC)881425493$z(OCoLC)880913732 035 $a(nllekb)BRILL9789401210997 035 $a(Au-PeEL)EBL1696765 035 $a(CaPaEBR)ebr10907836 035 $a(CaONFJC)MIL637666 035 $a(OCoLC)887498713 035 $a(EXLCZ)993710000000221424 100 $a20140820h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWittgenstein as philosophical tone-poet $ephilosophy and music in dialogue /$fBe?la Szabados 210 1$aAmsterdam, Netherlands ;$aNew York :$cRodopi,$d2014. 210 4$d©2014 215 $a1 online resource (221 p.) 225 1 $aStudien zur O?sterreichischen Philosophie ;$vBand 45 300 $aDescription based upon print version of record. 311 $a1-322-06415-6 311 $a90-420-3857-8 320 $aIncludes bibliographical references and index. 327 $aPreliminary Material -- Acknowledgements -- Introduction -- A Life in Music -- Early Views: Wittgenstein?s Vienna Revisited -- Wittgenstein in Transit: A Critique of the Tradition -- Later Views: A New Era -- Wittgenstein and the Composers -- Breakdown of Tradition -- Philosophy, Music and Therapy -- Bibliography -- Index -- Appeared earlier in the series: STUDIEN ZUR ÖSTERREICHISCHEN PHILOSOPHIE. 330 $aThis book provides the first in-depth exploration of the importance of music for Ludwig Wittgenstein?s life and work. Wittgenstein?s remarks on music are essential for understanding his philosophy: they are on the nature of musical understanding, the relation of music to language, the concepts of representation and expression, on melody, irony and aspect-perception, and, on the great composers belonging to the Austrian-German tradition. Biography and philosophy, this work suggests that Wittgenstein was a composer of philosophy who used the musical form as a blueprint for his own writing and thought. For Wittgenstein music is not alone, but connects and resonates with our cultural forms of life. His relation to composers, especially to Richard Wagner and Gustav Mahler, enables Wittgenstein to address the question of how to do philosophy and compose music in the breakdown of tradition. Unlike his conservative musical sensibility, Wittgenstein?s philosophy is open to musical experiments. Reflecting on his remarks on music makes it possible to compare the therapeutic aim of his philosophical activity with that of music, and thus notice affinities between Wittgenstein and John Cage. 410 0$aStudien zur o?sterreichischen Philosophie ;$vBand 45. 606 $aSemantics (Philosophy)$xHistory$y20th century 615 0$aSemantics (Philosophy)$xHistory 676 $a121.680924 700 $aSzabados$b Be?la$01611710 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910809485403321 996 $aWittgenstein as philosophical tone-poet$93940086 997 $aUNINA