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101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 14$aThe play of character in Plato's Dialogues /$fRuby Blondell
205   $a1st ed.
210   $aCambridge, UK ;$aNew York $cCambridge University Press$d2002
215   $a1 online resource (xi, 452 pages) $cdigital, PDF file(s)
300   $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015).
311   $a0-521-03142-7 
311   $a0-521-79300-9 
320   $aIncludes bibliographical references (p. 397-427) and index.
327   $tDrama and dialogue --$tReading Plato --$tPlato the "dramatist" --$tWhy dialogue form? --$tThe imitation of character --$t"Character" --$tThe Platonic Sokrates --$tMimetic pedagogy --$tThe elenctic Sokrates at work: Hippias Minor --$tThe elenctic Sokrates --$tHippias and Homer --$tSokrates and Hippias --$tRewriting Homer --$tA changing cast of characters: Republic --$tSocratic testing: three responses --$tPlaying devil's advocate --$tSokrates and the sons of Ariston --$tSelf-censorship --$tLearning by example --$tReproducing Sokrates: Theaetetus --$tSokrates and the philosopher prince --$tLikeness --$tDifference --$tCutting the cord --$tBecoming Sokrates --$tPutting Sokrates in his place: Sophist and Statesman --$tPlato's triad --$tThe Man with No Name --$tHomogenized, pasteurized respondents --$tThe visitor's pedagogy --$tAssaulting the father --$tA place for everything, and everything in its place --$tA word is worth a thousand pictures --$tThe visitor and Sokrates --$tSilencing Sokrates.
330   $aThis book attempts to bridge the gulf that still exists between 'literary' and 'philosophical' interpreters of Plato by looking at his use of characterization. Characterization is intrinsic to dramatic form and a concern with human character in an ethical sense pervades the dialogues on the discursive level. Form and content are further reciprocally related through Plato's discursive preoccupation with literary characterization. Two opening chapters examine the methodological issues involved in reading Plato 'as drama' and a set of questions surrounding Greek 'character' words (especially ethos), including ancient Greek views about the influence of dramatic character on an audience. The figure of Sokrates qua Platonic 'hero' also receives preliminary discussion. The remaining chapters offer close readings of select dialogues, chosen to show the wide range of ways in which Plato uses his characters, with special emphasis on the kaleidoscopic figure of Sokrates and on Plato's own relationship to his 'dramatic' hero.
606   $aCharacters and characteristics
615  0$aCharacters and characteristics.
676   $a184
700   $aBlondell$b Ruby$f1954-$0188187
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910809441903321
996   $aPlay of Character in Plato's Dialogues$91676690
997   $aUNINA