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100   $a19910516d1992      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aNew vocabularies in film semiotics $estructuralism, post-structuralism, and beyond /$fRobert Stam, Robert Burgoyne, and Sandy Flitterman-Lewis
205   $a1st ed.
210   $aLondon ;$aNew York $cRoutledge$d1992
215   $a1 online resource (262 p.)
225 0 $aSightlines
300   $aDescription based upon print version of record.
311   $a0-415-06594-1 
311   $a0-415-06595-X 
320   $aIncludes bibliographical references and index.
327   $aBook Cover; Half-Title; Title; Copyright; Dedication; CONTENTS; CONTRIBUTORS; PREFACE; I THE ORIGINS OF SEMIOTICS; II CINE-SEMIOLOGY; III FILM-NARRATOLOGY; IV PSYCHOANALYSIS; V FROM REALISM TO INTERTEXTUALITY; BIBLIOGRAPHY; INDEX OF TERMS;
330   $aThe authors address key aspects of contemporary semiotic and cultural debate--for example Metz's semiotics, Genette's narratology, the feminism of Mary Ann Doane, and Bakhtinian concepts. The book explores linguistically-oriented terminology in cinema studies; the semiotics of film narrative; the psycho-semiology of the cinema; and intertextuality, discourse, and transtextuality. References to individual films drawn from the work of a wide range of directors including Orson Welles, D.W. Griffiths, Alain Resnais, Jean-Luc Godard, Alfred Hitchcock, Jean Cocteau, and Chantal Akerman illustrate th
410  0$aSightlines (London, England)
606   $aMotion pictures$xPhilosophy
606   $aMotion pictures$xSemiotics
615  0$aMotion pictures$xPhilosophy.
615  0$aMotion pictures$xSemiotics.
676   $a791.43
676   $a791.43014
700   $aStam$b Robert$f1941-$0326727
701   $aBurgoyne$b Robert$f1949-$0746078
701   $aFlitterman-Lewis$b Sandy$f1946-$01699603
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910809439703321
996   $aNew vocabularies in film semiotics$94081990
997   $aUNINA